Mental Disturbance and Artistic Production

The popular understanding of the so-called 'insane' artist cannot be summarised better than in the schmaltzy lyrics of 'Vincent' written and sung by Don McLean in the 1970s. He plaintively chides those who misunderstood the living Van Gogh and charges them with the responsibility for his suicide.

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Bill Sorrell

Looks at the environment of Bill Sorrell working in the small farming town of Toodyay in the Avon Valley about 80 kilometres from Perth Western Australia.

Julian Goddard

Frank 'Bronco' Johnson - The Poetics of Defence

He was always delighted to be fighting with someone....

Paul Hoban

Arcanum (Extracts from the Archives)

Exhibition review Union Gallery Adelaide University South Australia 19 August - 4 September 1992

Kerry Giles Kurwingie

The World in Talc

Looks at the works of Talc Alf working in Lyndhurst South Australia.

Malcolm McKinnon

A Living Treasure: The Topiary of Jack Cashion

As a sculptor working in metal I have been interested for some time in combining plants with the hard surfaces of copper and steel. The issues involved in using shrubs and trees are many, including that the work isn't trivialised or lacking in credibility, transport and of course storage.

Audrey Hutchison

Stage Sets for Suburban Dramas

Photographs by Dianne Longley of domestic dwellings in and around Adelaide South Australia.

Olga Sankey

Nothing if Not Innocent

Artists of the modern era have always been fascinated by the primitive, be it the obsession of the surrealists, futurists and modernists for the art of the Negro, the passion of a handful of British in the 60s for the work of the Cornish primitive Alfred Wallis or Jean Dubuffet's exploration of children's art and the art of the asylum which he termed Art Brut.

Victoria Coles

Blue Bush, Blue Sky and Silver

Book review Blue Bush, Blue Sky and Silver Guide to artists and galleries of Broken Hill.

Paul Greenaway

The Boundary Riders: The Art of Everyday Life

The diversity of work found in the art of everyday life transgresses many of the implicit boundaries about art practice laid down by the art world. Other art meets all the criteria by which we usually evaluate art works such as skill, commitment and self-expression yet is rarely seen in a gallery context. In order to recover meaning and value for the art of everyday life the question must be asked: why have these artists been marginalised by the art world?

Sylvia Kleinert

Reflections on Being: Being and Nothingness

Exhibition review Being and Nothingness Works by Bea Maddock Queen Victoria Museum and Art Gallery Launceston August 1992

Penny Mason

Disposable Icons

Tattoos

Ex de Medici

The O/S Experience

Rediscovery: Australian Artists in Europe 1982-1992 Universal Expo Seville June/July 1992 Curator Jonathon Holmes

Jonathan Holmes

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