Pity the Poor Director: Priorities Askew in Low Budget Film and Video

Operating both as an industry training ground and as a space for creative experimentation, low budget film and video production must be thought of as an economic and a cultural investment.

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Roads, Rates and Renaissance

Looks at the Melbourne inner city initiatives commissioned by the local governments to enhance public works.

Stephanie Britton

Liverpool Links: Industry and Art

The Cultural Services Unit of the Liverpool City Council has increased substantially over the last 2 years as has the number of artists employed by them.

Stephanie Britton

Brisbane Offers Plenty of Space

Brisbane has been and continues to be well served by artist run spaces and access galleries, particularly in the last 2 years 1993-1994. Can there ever be an over supply? Looks at Dogget Street Studios, QAA, Metro Arts, Inkahoots, Loading Bay, Isn't Studios and Fireworks Gallery.

Christine Morrow

Easy Access Hardware

The Raw Material Curatorial Development Program was designed to provide training opportunities for curators without experience, but with plenty of potential. Based at Gertrude Street Victoria. Featured artwork by Marie Sierra-Hughes.

Rose Lang

(L)earning Curves on the Streets of Melbourne

The transforming role of local government. More enlightened attitudes towards art making are coming from all levels of government and from property developers and others - often at the urging of those various levels of government.

Philippa Burne

Migrant Artists and the Mysteries of Australian Culture

The Thousand Handed Hydra has been an experiment of difference and opposition in practice. Hydra began in May 1993 as a one year pilot program of education, transition and introductin for migrant artists to the professional networks of Australian (Melbourne) art, culture and practice. Includes the work of artists Fernando Ronquillo, Anita Lorina and Rafael Rojas.

Elizabeth Gertsakis

Designs on Shopping

Exhibition review 4 Seasons - Objects that Contain Plimsoll Gallery University of Tasmania Centre for the Arts March 4 - 27 1994

Sean Kelly

Showing Art On Your Terms

Melbourne artist Ewa offers the benefit of her experience in marketing art without a gallery.

Ewa

Showing and Working Together in WA

To survive financially and professionally a large number of artists in WA have formed themselves into co-operatives.

Robyn Taylor

Noarlunga: Backwater No Longer

The City of Noarlunga and the City of Prospect in South Australia are the only two councils who have retained community arts officers.

Stephanie Britton

Missing in Action

Book review Body and self: Performance Art in Australia 1969 -1992 By Anne Marsh Oxford University Press Australia 1993

Sarah Miller

Looking at the Billboard

Written with Lee Salomone exploring the utilisation of prominent billboards on the tram track in Adelaide for the term of one year at no cost for them to be used as public art spaces.

Gavin Malone

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