Showing Art On Your Terms
Melbourne artist Ewa offers the benefit of her experience in marketing art without a gallery.
More from this Issue
Missing in Action
Book review Body and self: Performance Art in Australia 1969 -1992
By Anne Marsh
Oxford University Press Australia 1993
Designs on Shopping
Exhibition review 4 Seasons - Objects that Contain
Plimsoll Gallery
University of Tasmania Centre for the Arts
March 4 - 27 1994
Drawing Wages
Looks at the Studio School of Painting and Drawing in South Australia. It is essentially a working artist's studio which has admitted students.
Liverpool Links: Industry and Art
The Cultural Services Unit of the Liverpool City Council has increased substantially over the last 2 years as has the number of artists employed by them.
No Vacancy: The Art of 400 Artists
Looks at the artist run space 'No Vacancy' located in Melbourne, Victoria.
Tickling the Senses in Brunswick St
Located in Melbourne Victoria, the City of Fitzroy was given $1m by the federal government in 1992 for capital works. One project funded was the commissioning of 16 pieces of public art from 11 artists to build on that heart of cafe culture Brunswick St.
Self-Starting Sculpture
The artist describes her attempts to sell her sculpture and the need to take other work. How has this impacted on her artistic approach?
Critical Mass/ City Art/ Artists' Initiatives
A recurring feature of recent initiatives is to be self-funded or to operate with a minimum level of government funding and frequently to begin with a limited time frame in mind. The social side of such organisations cannot be underestimated and is probably as important as any art that eventuates.
Good Spot for a Pot Shot
The time is post-recession, the economic climate is uncertain, Australian designers and consumers inhabit the suburbs but are cut off from each other, and someone decided to do something about it in the City of Caulfield, Victoria.
Income, Outcome? Hard Times for Artists + Industry
As an organisation, Arts + Industry is fundamentally concerned with economics and income generation. Assisting artists and designers to either find employment with industry or create opportunities as self-employed designer/makers is integral to their goals.
Roads, Rates and Renaissance
Looks at the Melbourne inner city initiatives commissioned by the local governments to enhance public works.
Pity the Poor Director: Priorities Askew in Low Budget Film and Video
Operating both as an industry training ground and as a space for creative experimentation, low budget film and video production must be thought of as an economic and a cultural investment.