Self-Starting Sculpture
The artist describes her attempts to sell her sculpture and the need to take other work. How has this impacted on her artistic approach?
More from this Issue
Drawing Wages
Looks at the Studio School of Painting and Drawing in South Australia. It is essentially a working artist's studio which has admitted students.
The Jeweller's Apprentice
"As a practising artist/craftrsperson with an interest in education, teaching and learning, the potential of studio based training greatly appealed to me."
A View of the Perennials
Book review Contemporary Sculpture in Australian Gardens
By Ken Scarlett
Craftsman House 1993
Futurama: Art and Technology Expo
Article written with collaborator Shiralee Saul. Discusses the planned Futurama which was slated to start in 1996 as a 4-5 day event in Melbourne Victoria - organised by Installation Publication a partnership of 2 artist administrators.
The Spirit of Collectivism: A Brief Guide to Melbourne's Artist-run Galleries
A brief guide to Melbourne's artist run galleries: Ether Ohnetitel, The Women's Gallery, Gallery Gecko, The COOP, A For Art Space, Making Sense Contemporary Art Space, The Basement Project, Argyle Street Studios, West Space, Arts Post, RedPlanet, Another Planet Posters, Red Letter Community Workshop, A.R.T. (artaroundtown), First Floor, Store 5, Room 4, ROAR Studio, Temple 29 and 41 Gold Street.
Critical Mass/ City Art/ Artists' Initiatives
A recurring feature of recent initiatives is to be self-funded or to operate with a minimum level of government funding and frequently to begin with a limited time frame in mind. The social side of such organisations cannot be underestimated and is probably as important as any art that eventuates.
Noarlunga: Backwater No Longer
The City of Noarlunga and the City of Prospect in South Australia are the only two councils who have retained community arts officers.
Looking at the Billboard
Written with Lee Salomone exploring the utilisation of prominent billboards on the tram track in Adelaide for the term of one year at no cost for them to be used as public art spaces.
Showing and Working Together in WA
To survive financially and professionally a large number of artists in WA have formed themselves into co-operatives.
Whitechapel Meets Eastenders
Museums and larger arts spaces are increasingly looking at ways to improve access to their exhibitions for a wider range of people. Contemporary art spaces face a more difficult battle than museums in trying to become more relevant to their diverse communities.
Showing Art On Your Terms
Melbourne artist Ewa offers the benefit of her experience in marketing art without a gallery.
Adelaide Installations: Adelaide Festival
Review Adelaide Installations Adelaide Festival South Australia Various locations 25 February - 13 March 1994