More from this Issue
In the Coil of Life's Hunger
Looks at the work of James K Baxter 1926 - 1972 (poet) Colin McCahon 1919 - 1987 (artist) both of whom found in travel through New Zealand recurrent metaphor's for life's journey. The principle referent in their work was death.
Death: A Post-Mortem
Looks at the exhibition 'Death' co-curated by Felicity Fenner and Anne Loxley held at the Ivan Dougherty Gallery in April 1993. 'Death' was a mixed media survey covering more than 200 years of Australian art which directly addressed the theme of death.
Indecent Exposures and Dissonance: Two New Books from Catriona Moore
Book reviews Indecent Exposures: Twenty years of Australian Feminist Photography
By Catriona Moore
Allen & Unwin in association with the Power Institute of Fine Arts
206 pp $21.95
Dissonance: Feminism and the Arts 1970 -90
Edited by Catriona Moore
Allen & Unwin in association with Artspace
308 pp $21.95
Images of Death 600,000 HOURS (Mortality) Experimental Art Foundation
Images of death explored in the context of the exhibition 600,000 hours (mortality) held at the Experimental Art Foundation, Adelaide South Australia October 1994.
Fania
Exhibition review Fania
Curated by Erica Green
University of South Australia Art Museum
28 July - 27 August 1994
Kumantji and the Contemporary Curator
Across much of Aboriginal Australia the announcement of a death is followed by profound communal mourning, the removal or destruction of the deceased's belongings and most significantly a prohibition on the use of the deceased's name.
A Cemetery for the Community: Enfield Memorial Park, South Australia
Thus we come full circle to view the cemetery not as a necessary inconvenience to be isolated on the edge of town and visited once every few years but as a resource that can make a positive contribution to the community.
And Love a Fantasy: Breastfeeding our Sexuality
On 17 March 1993, the body of photographer Angelo Campana was discovered in the burnt out remains of the newly opened IEG Waste Recycling Plant in Corrimal. According to the coroner's report, his death had not been caused by this fire, but from fatal head injuries incurred by the deceased's head being repeatedly bashed with a theodolite. This is the immediate crime which is appears to be investigated in Dennis Del Favero's sleuthian compilation of words and images, objects and installations called 'Prima Facie'.
Crossovers - Site Works and Symposium
Exhibition review Crossovers: Site works and symposium
Tasmanian School of Art and various locations, Launceston, Tasmania 26 September - 2 October 1994
Cinema, Death and the Abject
Cinema is both dead and deathless. Cinema like this can take us to the great chasm in our lives and hold us over the edge.