Art and Masculinity after Auschwitz after Bosnia: The work of Dennis Del Favero, 1995

Masculinity continues its argument with itself, quizzical at its self-propelled self-assertion. But in asserting aggression the pain is not just experienced in the victim. For even in the crudest acts of coitus, for a moment, the raper becomes the raped, he is tied by his penis and his balls into an abomination.
Buy   or   Subscribe   or   Login
DLAN Contemporary Mandorla Art Award Bendigo Art Gallery Neoterica NAVA