More from this Issue
New Museum Creates Cafe Society in Shenzhen
At the end of January 2005 in the He Xingning Art Museum in Shenzhen, a conference was held to coincide with the opening of the first dedicated Contemporary Art Museum in China named OCTA Contemporary Art Centre. The conference was essentially looking at the major issues confronting contemporary art in China as it goes through yet another dramatic evolution.
Qin Ga: 'Miniature Long March'
The Long March A Walking Visual Display is an international collaboration involving over 250 Chinese and international artists taking place along 20 sites of the historical Long March. Each site was chosen for its symbolic import; the Long March was tatooed onto Qin Ga's back transforming his body into both an artwork and a Long March object.
The Dreaming Festival
The Dreaming Festival, director Rhoda Roberts, Bush Galleries, Woodford, Queensland, 10 13 June 2005
Public Interrogations
Architecturally-trained artist Richard Goodwin regards built and urban spaces as his performative stage. He has sought out parks, passageways, plazas, under and overpasses and other connective, forgotten and in-between spaces to insert an often absurdist mark of his presence.
Ghost River Paintings
Jo Darbyshire Span Galleries, Melbourne 1 - 19 March 2005 Gallery East, North Fremantle 13 May - 5 June 2005
Barney and Tibby Ellaga
New paintings from SE Arnhem Land at Raft Artspace, Darwin, 1- 23 April, 2005
Gleaning Relational Aesthetics
The term Relational Aesthetics was first coined by Nicolas Bourriard, French curator and, since 1999, co-director with Jerome Sans of the Contemporary art centre Palais de Tokyo in Paris. Relational art doesn't produce a product but focuses on relations between audience members, events and ideas.
Sculpture by the Sea
Artists and the public converge on Cottesloe Beach, Perth for the WA incarnation of the famous Bondi Beach event, 17 - 28 March 2005