Oceanic Arts Society of Sydney
Describes the establishment and membership of this new society.
More from this Issue
Collaboration - Zhou Xiaoping and Jimmy Pike
Chinese Australian artist Zhou Xiaoping and Aboriginal artist Jimmy Pike exhibit collaborative works in China later in 1996. The author discusses Zhou's new work and his collaboration with Jimmy Pike.
Dancing the Society: Performing Arts in the Solomon Islands
Performing arts in the Solomon Islands Since the common determining facts in whether to keep, add changes, or reject aspects of the performing arts are based on the dollar, Solomon Islanders will continue to adopt new styles of dances, music, songs and forms of acting in the same way as some Church groups have done.
Doin' the Limbo
Exhibition review White Hysteria
Curated by Susan Treister
Contemporary Art Centre, Adelaide South Australia
7 - 30 June 1996
Nucleus: Feeling Compromised
As Judy Watson was about the commence her residency in France, the French Government announced they would be conducting nuclear tests in the Pacific. As an Australian, an Aboriginal, a conservationist, a woman and an artist, she felt compromised. Discusses her work in this context.
Fiji: Artists Carve Out Their Own Future
Looks at issues in contemporary art practice in Fiji anticipating the construction of the new Fiji National Art School.
Encyclopaedia of Aboriginal Australia ed David Horton
Book review Encyclopaedia of Aboriginal Australia with companion CD Rom
Edited by David Horton
Aboriginal Studies Press for AIATSIS
RRP $150
Truth, Whose Truth?
Exhibition review Peter Dailey: Prime Time
Lawrence Wilson Art Gallery
University of Western Australia
17 May - 30 June 1996
Darwin Festival - A Glimpse
Overview of the Festival of Darwin with its temporary visual art installations 'art head land' by 18 artists. For the summer of 1996.
The Island Race in Aotearoa
Today the art of the Pacific Islanders is still trapped within its category. The display cases of the institutions have not been shattered. Yet the very act of exhibiting demonstrates that the making and the appreciation of art is a dynamic process. Institutions are caught by a need to both legitimise themselves and acknowledge (and perhaps attempt to control) the art of the migrant communities.
Weaving the Old with the New: Textile Art Forms in Niugini
Women artists were conspicuously absent from the important exhibition 'Luk Luk Gen'. The exhibition 'Pacific Dreams' included textile works by the artist Agatha Waramin who works with bilums and the exhibition 'Weaving the Old with the New' will extend women's exposure in an artistic context.
Neo-colonialist Precipice
Exhibition review Secret Places
Sieglinde Karl, Hazel Smith, Kate Hamilton, Ron Nagorka
Queen Victoria Museum and Art Gallery,
Touring regional Australia through Contemporary Art Services Tasmania and the national Exhibitions Touring Scheme.
Creativity in the Forest
In 1994, the small Balai community of Malaita Province, Solomon Islands, commenced paper making which led to the development of printmaking. Small enterprises and ecotourism may well be the future of these small island communities.