Artlink Indigenous: Indignation
Vol 32 no 2, 2012
Guest co-editors Stephanie Radok and Daniel Browning
Second in annual mega-issue series, survey of new developments in the field. Artists and writers speak out on injustice past and present, Blak queer, lateral damage and forgiveness, new art, debates, exhibitions, projects, publications and the need for a new national Indigenous art museum. Authors include Djon Mundine, John Kean, Hetti Perkins, Garry Jones, Maurice O'Riordan, Dianne Jones, Gay McDonald, Brenda Croft, Una Rey, Sam Cook. Features on Archie Moore, Alick Tipoti, Troy Anthony Baylis, Nici Cumpston, Bindi Cole. Ghostnets, early Papunya boards, cultural diplomacy in The 2nd National Indigenous Art Triennial, and exhibitions in China of Jason Wing, John Bulun Bulun and Zhou Xiaoping, plus Tu Di - Shen Ti/Our Land Our Body from Warburton Art Centre are featured.
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Exhibitions to Watch
Author & Artist: Ms Stephanie Radok, Exhibitions to WatchACT
Drill Hall Gallery
24 May - 1 July 2012
Antarctica
Curators: Caroline Turner, Nancy Sever, Tony Oates
Complements the 2012 International Conference on the Humanities and Climate Change at ANU.
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Anne Noble WhiteNoise#5 2008, archival pigment inks on Espon premium lustre 310 gsm, 95 x 120 cm. Image courtesy the artist and Stills Gallery.
16 August – 23 September 2012
Seeking permission: Michael Nelson Jagamara & Imants Tillers
Curators: Michael Eather, Imants Tillers, Nancy Sever
Cultural ownership and the reconciliatory power of collaboration.
Canberra Glassworks
9 May – 21 June 2012
Eat!
Curator: Clare Belfrage
Fifth birthday exhibition! Twenty artists on food and rituals around eating.
27 June – 5 August 2012
Clearly: Matthew Day Perez
Glass, printed matter, digital media, and installation.
NSW
University of Sydney Art Gallery
7 April – 29 June 2012
Joseph Beuys and the 'Energy Plan'
Curator: Donna West Brett
Marking 50th anniversary of the Power Collection.
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Joseph Beuys Filzanzug (Felt Suit) 1970; felt, cotton, ink on synthetic fabric and metal safety pins; edition 69/100; JW Power Collection, The University of Sydney.
Art Gallery of New South Wales, MCA, Pier 2/3, Cockatoo Island
27 June – 16 September 2012
18th Biennale of Sydney: All our relations
Curators: Catherine de Zegher and Gerald McMaster
Inclusionary practices of generative thinking - collaboration, conversation, compassion.
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Jorge Macchi Blue Planet 2003, collage on paper, 30 x 30 cm. Courtesy Centro Gallego de Arte Contemporáneo, Santiago de Compostela. Photo: Mark Ritchie.
UTS (University of Technology) Gallery, Sydney
12 June – 20 July 2012
Homelands: Damian Dillon, Rebecca Shanahan
After-hours shadows and margins.
31 July – 31 August 2012
Joyaviva: Live Jewellery from across the Pacific
Curator: Kevin Murray
Jewellers from Australia, New Zealand and Chile.
Newcastle Art Gallery
30 June – 12 August 2012
Richard Browne: a focus exhibition
Watercolours by convict artist originally from Dublin.
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Richard Browne Coola-benn, Native Chief of Ashe Island Hunters River, New South Wales 1820, watercolour and bodycolour on paper, 47.0 x 36.0cm. Purchased with assistance from Robert and Lindy Henderson, Newcastle Art Gallery Society, Newcastle Region Art Gallery Foundation and the community 2010, Newcastle Art Gallery collection.
NT
Museum and Art Gallery of the Northern Territory
10 August – 28 October 2012
29th Telstra National Aboriginal & Torres Strait Islander Art Award
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Maria Fernanda Cardoso Gumnuts (detail) 2008-9 Tartu nuts, metal pins, glue. Photo: Carl Warner.
Araluen Arts Centre
16 June – 15 July 2012
Kuru Alala Eyes Open
Collaboration between Tjanpi Desert Weavers, Alison Clouston and Maria Fernanda Cardoso.
23 June – 22 July 2012
Alice Springs Beany Festival
8 September – 21 October 2012
Desert Mob
A celebration of Aboriginal artists and their art centres.
Symposium 7 September, Marketplace 8 September.
QUEENSLAND
QUT Gallery
1 September – 28 October 2012
open | closed: Lincoln Austin, Sean Phillips and Arryn Snowball
Objects or atmospheres for contemplation—repeating modes, shifting visual motifs, words and phrases.
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Douglas Gordon left is right and right is wrong and left is wrong and right is right 1999, video installation.
IMA
16 June – 4 August 2012
Douglas Gordon: Fresh Cut
Dualities, dichotomies, doppelgängers.
Griffith University Art Gallery
13 July – 8 September 2012
The churchie national emerging art prize 25th year of the prize.
Cairns Art Fair
17 – 19 August 2012
Artistic director: Avril Quaill
More than 300 Queensland Aboriginal and Torres Strait Islander artists.
SA
Art Gallery of South Australia
2 June – 5 August 2012
SA Illustrated and ‘on the street’
South Australian History, old and new.
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Ali Baker Sovereign Goddess Tracey 2011, archival inkjet print, 59.5 x 42 cm. Courtesy of the artist.
Flinders University City Gallery,
29 June – 26 August 2012 and later at Charles Darwin University Gallery
roads cross: contemporary directions in Australian art
Curators: Vivonne Thwaites, Fiona Salmon, Anita Angel
Traces and echoes in recent Australian art.
SASA Gallery
31 July – 21 August 2012
conversations in ellipsis
Curator: Lisa Harms
Dealing allegorically, over time, with notions of territory and possession, loss and desire. Also at Feltspace and Adelaide Botanic Gardens.
Signal Point Gallery, Goolwa
28 July – 2 September 2012
Plastic Fantastic: Annabelle Collett
Recycled, found and discarded plastic fantasia.
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Annabelle Collett W-Wheel (detail) 2012, plastic plates, lids, washing basket parts, utensils, 90 x 90 x 10 cms.
TASMANIA
MONA
23 June 2012 – 8 April 2013
Theatre of the World
Curators: Jean-Hubert Martin, Tijs Visser, Olivier Varenne, Nicole Durling
MONA and TMAG collections, commissions and loans - an encyclopedia in real time.
Inflight ARI, Hobart
15 June – 7 July 2012
Viscous, Shit-Eating, Godless Vermin
Tom O’Hern
Silence. Sound. Light. Cycles: Work in Progress
Dane Chisholm, Lila Meleisea
CAST, Hobart
29 July – 26 August 2012
In a silent way: Joel Stern, Gail Priest, Samaan Fieck, Lawrence English, Darren Cook, Nicholas Bullen, Monika Brooks, Laura Altman
Curator: Matt Warren
Soundscapes/field recordings/electro-acoustic material designed or able to be played quietly.
VICTORIA
ACCA
2 June – 29 July 2012
Berlinde de Bruyckere: We are all Flesh
Haunting sculptures of metamorphosising horses, trees and humans.?
Mossenson Galleries at Melbourne Art Fair
1 – 5 August 2012
New work by Nyoongar artist Sandra Hill on the ‘Homemaker’.
Gippsland Art Gallery
28 July – 23 September 2012
Animal Kingdom
Exploration of our relationship with animals.
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Berlinde de Bruyckere, installation view, Kunstmuseum Luzern, Switzerland, 2007. Photo: Andri Stadler.?
Counihan Gallery in Brunswick
5 July – 5 August 2012
Picture this
Curator: Melissa Kavenagh
Portraits reflecting on Indigeneity, the past and the everyday.
Koorie Heritage Trust
9 June – 24 August 2012
Lee Darroch: Tribe Totem and Trade
Found natural objects, possum skin cloaks and pastel works.
WA
John Curtin Gallery
1 June – 3 August 2012
Dennis Del Favero: Magnesium Light
Two-part video project.
PICA
23 June – 12 August 2012
Objects. Food. Rooms.
Thomas Rentmeister
In partnership with Kunstmuseum Bonn, a major exhibition of new and site specific sculptural and installation works.
Art Gallery of Western Australia
26 May – 10 September 2012
Jeff Wall Photographs
Key works from over three decades of artistic and photographic innovation.
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Jeff Wall A sudden gust of wind (after Hokusai) 1993 transparency in light box, unique state 250 x 397 cm Tate, London Purchased with the assistance from the Patrons of New Art through the Tate Gallery Foundation and from the National Art Collections Fund 1995. © Jeff Wall.
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Articles in this issue
- On the ground with Our Mob in 2011
-
Trepang: crossing cultures / creating connections

- Artist profile: Archie Moore: drilling deep
- Artist profile: Presences in the land: Nici Cumpston
- Artist profile: Queerly speaking
- Artist profile: The performative print: Alick Tipoti's Girelal
-
Artrave: Artrave

- Book review: How did Aborigines invent the idea of contemporary art?
- Book review: Indigenous Art Code: cracking the code
-
Editorial: Making History

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Editorial: ®ECLAIMED Closing the gap of radical apathy

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Exhibitions to Watch: Exhibitions to Watch

- Feature: A place of our own
- Feature: Ancestral memory: out of the shadows
- Feature: Artefacts of Authenticity
- Feature: Big wave: Desert Country
- Feature: Culture Warriors as cultural diplomacy
- Feature: For architecture and country
- Feature: I Forgive You: Bindi Cole's seventy times seven
- Feature: Lateral Violence is an Indigenous arts thing
- Feature: Long Way Home: A celebration of 21 years of Yunggorendi First Nations Centre
- Feature: No Place without Other Places: Spinifex Arts Project at fifteen years
- Feature: Postcards from China
- Feature: Reviewing Our Mob: A state-wide celebration of South Australian Indigenous art
- Feature: Sitting & connecting: Goulburn Art Class 2-0-1-1
- Feature: Tandanya: the case for home
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Feature: The Ballad of Jimmy Governor

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Feature: The elephant in the room: public art in Brisbane

-
Feature: The Ghost Net art project

- Feature: Trepang: Crossing cultures, creating connections
- Feature: Tu Di Shen Ti, Our Land Our Body: the Ngaanyatjarra poetic goes to China
- Feature: What lies buried on my land rises
- Review: Andrew McQualter: A partial index
- Review: Chiharu Shiota: State of Being Sue Saxon and Jane Becker: All that is solid melts into air
- Review: FotoFreo 2012: The City of Fremantle Festival of Photography
- Review: Glen Skien: MYTHO-POETIC
- Review: Into Cosmos: Adelaide Festival Artists' Week 2012
- Review: Marco Fusinato: There Is No Authority
- Review: Obscured by Light: Pamela Lofts and Kim Mahood
- Review: Panorama: are we there yet?
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Review: Parallel Collisions: 2012 Adelaide Biennial of Australian Art

- Review: PROMISE PROGRAM !Metro Arts, Brisbane
- Review: Restless - Adelaide International 2012
- Review: Science Fictions: Tricky Walsh
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Review: Spaced: Art out of place

- Review: You'll always be my #1: Sarah Jones
