Phenomena
vol 31 no 4, 2011
Edited by Stephanie Britton This issue examines some unusual aspects of our lives and how people, insects and colour are connected in strange ways through art. Science of the visible and invisible colour spectrum in humans, animals, fish, insects throws light on contemporary artistic works. The world of insects is emerging as a template for a new field of investigation,'insect media' including swarm or distributed intelligence. Colour and its changing meanings and uses, illusionary effects, psychedelia; artists whose work depends on the language of colour. Subjects include cephalopods as colourists, honey bees and Van Gogh, body parts and transplant communities, military cyborg insects, chromophobia and changing attitudes to colour, Wim Delvoye at MONA and the theory of Insect Media. We also report on the Istanbul Biennale and ISEA, and on the artist-run initiatives conference in Sydney and the World Summit of Arts and Culture.
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The Digital attribution of Colour
Deborah Turnbull, FeatureDirector of Sydney-based New Media Curation Deborah Turnbull explores the way colour choices in a digital environment involve ideological and philosophical dimensions as well as aesthetic ones.
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Articles in this issue
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Artrave: Artrave

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Editorial: Editorial: Vibrating, buzzing, swarming

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ETW: Exhibitions to Watch

- Feature: Bridging the brains of humans, bees and flies: Fiona Hall at the QBI
- Feature: Caterpillar Country
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Feature: Cephalopods: Colour on demand

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Feature: Chromophobes, Xenophones and Lots of Textas

- Feature: Flight of the Cicada: Susan Purdy's insect photograms
- Feature: Good enough to eat: Katherine Hattam's paintings
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Feature: Insects as Art Lovers: Bees for Van Gogh

- Feature: Kate Shaw: Amping up the Magic Hour
- Feature: Memoir Series: Elnathan Mews
- Feature: Radical Ethology: Jussi Parikka's Insect Media
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Feature: Remembering Bernard Smith

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Feature: Sara Hughes: Colour coded to quicken the heart

- Feature: Speaking in Colour
- Feature: The Digital attribution of Colour
- Feature: Transplanting Life: the distributed media of embodied selves
- Feature: We Are Here: the International Symposium for Artist Run Initiatives
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Feature: World Summit on Arts & Culture

- Profile: Sympathy for the Devil: the creatures of Julia Robinson
- Profile: The Hammer and the Screw: Thom Buchanan's drawings
- Profile: The Mystery of Shit: Wim Delvoye
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Review: A Different Temporality: Aspects of Australian Feminist Art Practice 1975 - 1985

- Review: Blakely & Lloyd - Social Documentary Photography
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Review: Impending Encounter

- Review: Isea 2011
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Review: Julie Gough: Rivers Run

- Review: Louise Haselton: Errand Workshop
- Review: Ray Harris: Hold me Close and Let me Go
- Review: Reflections of the Soul - Chinese Contemporary Ink Wash Painting
- Review: Stadium
- Review: Taryn Simon: A Living Man Declared Dead and Other Chapters
- Review: Tell Me Tell Me: Australian and Korean Art 1976-2011
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Review: The Mad Square: modernity in German art 1910 - 37

- Review: The Swamp
- Review: The Torres Strait Islands: A Celebration
- Review: The White Wedding Dress: 200 years of Wedding Fashions
- Review: Tom Freeman: 18th and 19th Century Prisoner art
- Review: Untitled - 12th Istanbul Biennial
