0
Favs
Login
Menu

After the Deluge

Novelist, freelance writer and contributor to Inside Story website www.inside.org.au Jane Goodall writes about the recent floods in Queensland in relation to climate change and art and how "we need the merging energies of many artists to shift the consciousness of an era mesmerised by determination to perpetuate a way of life that may well be no longer viable."
Buy   or   Subscribe   or   Login

More from this Issue

1.554
21st Century: Art in the First Decade
GoMA/QAG, Brisbane 18 December 2010 – 26 April 2011
Timothy Morrell
0.663333333333333333333333
Traditional Skills: Refugees
South Australia's Craftsouth ran an outstanding workshop series in May 2010 where refugees with traditional craft skills from six countries taught their secrets to Australian craftspeople.
Stephanie Britton
0.666666666666666666666667
Manifesta 8: Seeking a Dialogue with Africa
Curator and arts manager Alison Carroll visited Manifesta 8 the European Biennial of Contemporary Art held 9 October 2010 - 9 January 2011 in both Murcia and Cartegena in Spain and featuring over 100 artists.
Alison Carroll
0.6525
Editorial: Diaspora
Last week, I was standing in front of a man called Daryl who has lived in the Campbelltown suburb of Minto for 20 years. I saw him dance some of the story of his life.
Lisa Havilah
0.668
MONANISM
Museum of Old and New Art (MONA), Hobart 22 January – 7 July 2011
Maria Kunda
1.576666666666666666666667
The whole and the sum of its parts: Kate Scardifield

MOP Projects, Sydney 3 December - 19 December 2010

Amy Griffiths
0.674
Places that name us
Romaine Moreton
0.588
John Barbour: Work for Now
Curator: Kerry Crowley Australian Experimental Art Foundation 12 November 2010 - 29 January 2011
Wendy Walker
0.666
BLOODBATH
Hordern Pavillion, Sydney 9 October 2010
Joshua Skinner
1.39
Patricia Piccinini: Once upon a time
Jane Messenger
0.923333333333333333333333
Weeds without Frontiers: Stephanie Radok
Poet, novelist and broadcaster Cath Kenneally examines the recent work of Stephanie Radok which involves weeds painted on beer coasters and finds tenacity, diversity and survival-skills in it.
Cath Kenneally
0.666666666666666666666667
Unrequited Language: Khaled Sabsabi
Freelance writer and doctoral candidate Farid Farid analyses the installations and videos of deep thinker Khaled Sabsabi which use sound and collaboration as a significant part of their presence.
Farid Farid
View all articles in this issue