Lean, mean and living dangerously

Associate Professor of Fine Art at the College of Fine Arts, Uni of NSW, Joanna Mendelssohn analyses a slice of the current state of art publishing in Australia from reviews in newspapers to the DAAO (Dictionary of Australian Artists Online - now rechristened Design and Art of Australasia Online).

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Colour Country: Art from Roper River by Cath Bowdler and My Father, my brother: stories of Campbelltown's Aboriginal Men by Dvora Liberman

The exhibition is touring to Flinders University Art Museum 4 December 2009 – 14 February 2010, Drill Hall Gallery, Canberra 25 February – 11 April 2010 and Museum & Art Gallery of the Northern Territory, Darwin 22 May – 17 July 2010.

Janet Maughan

Shih Chieh Huang : Cubozoa – L-09

Shih Chieh Huang : Cubozoa – L-09 Shed E @ Howard Smith Wharves, ARC Biennial of Art, Brisbane 9 October - 1 November 2009

Sally Butler

Tim Burns: From the Garden

Tim Burns: From the Garden Bett Gallery, Hobart 9 October – 7 November 2009

Celia Lendis

Milestones: Ken Orchard 1980-2009

Milestones: Ken Orchard 1980-2009 Red Poles Gallery, McLaren Vale, South Australia 29 August – 27 September 2009

John Neylon

Netting the big and the little fish: monographs and biographies

Emeritus Director of the Art Gallery of South Australia and highly respected investigative curator and writer Daniel Thomas pulls out the stops in a far-ranging appraisal of art book publishing in Australia. He writes: "Once the artist is well dead, even if the book is 'only' a monograph, disregard the family and friends; we need to know everything."

Daniel Thomas

Libraries, creators and Google

The University of Sydney Librarian John Shipp describes the changing world of university libraries and the way they handle information in a digital age. He has nightmares about the Google settlement and his mantra is that 'creators should retain their rights.'

John Shipp

Artistic intention, branding and value

Artist Zina Kaye of www.laudanum.net writes about the importance of branding for artists and how artists play with copyright and fair use. She examines the artwork of Deborah Kelly, Soda_Jerk and Shepard Fairey to show variants on artist's intentions and outcomes.

Zina Kaye

Copyright lawyer Zoe Rodriguez discusses the implications of digitising works of literature and the contentious Google Book Settlement of 2009.

Artlink and Zoe Rodriguez

Western Australian Indigenous Art Awards

Western Australian Indigenous Art Awards Art Gallery Of Western Australia 25 July - 15 November 2009

Thelma John

Mix and mash, take it, change it

Writer and curator Danni Zuvela celebrates remix or mashup culture and traces its history back through the Dadaists, Futurists, Max Ernst, Esther Shub, Arthur Lipsett, Joseph Cornell, Bruce Conner and Stan VanDerBeek. In a remix culture people valorise appropriation and talk about being copyfighters who believe the idea of text as property is a joke.

Danni Zuvela

Measuring the footprint: dead trees vs live text

Freelance writer, author of True Green @ Work and editor Tim Wallace discusses the conflict between new technologies making everything available for free and writers and content creators needing to be paid. He quotes from on a book by Kevin Kelly called New Rules for the New Economy: 10 Radical Strategies for a Connected World: 'The only factor becoming scarce in a world of abundance is human attention.'

Tim Wallace

Floating Life: Contemporary Aboriginal Fibre Art

Floating Life: Contemporary Aboriginal Fibre Art Curator: Diane Moon Queensland Art Gallery 1 August – 18 October 2009

Timothy Morrell

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