Curating : Creating

Curating : Creating

vol 28 no 4, 2008


The creativity in curating. Are curators really artists in disguise? and how far does the way in which they conceive and execute big shows, in particular biennales, influence the direction of art practice? What makes one curatorial program worthy but dull and another sparkling and engaging? Artists and curators share their expert knowledge on new attitudes and perceptions of visual culture, ingenuity, innovation, global exchange, curating in Asia, place and site, career trajectories from artist to curator to museum director and training options for wannabe curators. The Berlin, Singapore, Taipei, Shanghai, Sydney Biennales and Manifesta are examined. New rules of engagement with the public via private and state sponsored enterprises and visionary futures. Writers include Felicity Fenner, Adam Jasper, Nada Prlja, Reuben Keehan, Alison Carroll, Kevin Wilson and Marcus Westbury. Plus book and exhibition reviews and more. Editor Stephanie Britton.


Subscribe to Artlink - from $55. Subscriptions available for readers anywhere in the world.















NAVA - National Association for the Visual Arts

You are here » Artlink » vol 28 no 4, 2008 » Firing across the gaps

Firing across the gaps

Author & Artist: Ms Cath Bowdler, feature

In May 2008 Wagga Wagga Art Gallery's new Director Cath Bowdler curated Crossfire, an exhibition of resonating artworks from the Gallery's two major collections, the National Art Glass Collection and the Margaret Carnegie Print Collection, as a way of introducing herself to both the space and the place. Bowdler was initially inspired by the glass work Salt on Mina Mina by Dorothy Napangardi.



The full text of this article is only available in the printed version of Artlink Magazine.
» Subscribe or order a back issue

Article Index

Articles in this issue


Artlink wishes to acknowledge the copyright of the artists whose images appear on this website. Please note that images cannot be copied by users of this site and copyright remains with the artist or the rights holder at all times.