Curating : Creating
vol 28 no 4
The creativity in curating. Are curators really artists in disguise? and how far does the way in which they conceive and execute big shows, in particular biennales, influence the direction of art practice? What makes one curatorial program worthy but dull and another sparkling and engaging? Artists and curators share their expert knowledge on new attitudes and perceptions of visual culture, ingenuity, innovation, global exchange, curating in Asia, place and site, career trajectories from artist to curator to museum director and training options for wannabe curators. The Berlin, Singapore, Taipei, Shanghai, Sydney Biennales and Manifesta are examined. New rules of engagement with the public via private and state sponsored enterprises and visionary futures. Writers include Felicity Fenner, Adam Jasper, Nada Prlja, Reuben Keehan, Alison Carroll, Kevin Wilson and Marcus Westbury. Plus book and exhibition reviews and more. Editor Stephanie Britton.
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Advertisement:
Hello Tokyo! Flagging it
Author: Ms Rachel Kent, featureSome Material Flags, MOT Tokyo, 22 October – 12 January 2009.
Louisa Bufardeci
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Louisa Bufardeci Algeria from the series Some Material FlagsÊ2008, seersucker fabric, 400 x 200 cm.
Louisa Bufardeci is a Melbourne artist who lives and works in the United States. She works across a range of media, from sculpture and installation to wall drawings and colourful digital prints and frequently draws upon statistical data in her art, sourcing information from the public domain including the CIA Factbook, the national census and opinion polls. She translates this information into colour charts, maps and architectural diagrams; and in doing so, draws playful attention to gaps, biases and inequalities.
Bufardeci has been selected to participate in a two-part project between the Museum of Contemporary Art (MCA), Sydney and the Museum of Contemporary Art (MOT), Tokyo. For her Japanese premiere in October 2008 she presented a suite of modified 'national flags' in the vast, light-filled atrium of the building, which have been commissioned especially. These works will comprise part of her subsequent MCA Sydney showing in August 2009, along with other work by the artist encompassing eight years. Bufardeci's Sydney exhibition represents the MCA's next 'international pairing' project. She will select a contemporary Japanese artist with whom to show alongside, an outcome of her research and travel in Japan.
Bufardeci's Tokyo and Sydney exhibitions invite the exchange of ideas at both an artistic and curatorial level. Positioning Australian art within a wider, global context, they have come out of discussions between myself and curator Fumihiko Sumitomo of MOT. Responding to a new commissioning initiative at MOT for its expansve public spaces, and the MCA's ongoing pairing series for Australian artists, they forge institutional and individual ties which in turn generate new possibilities for the future.
Articles in this issue
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Artrave: Artrave

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Editorial: Editorial

- Feature: Back from the brink: culture in Timor-Leste
- Feature: Beyond the temples: the way of idiosyncracy
- Feature: Curating a psycho-geography Campbelltown Arts Centre and the genius of Lisa Havilah
- Feature: Curating Chinese themes: cheap labour, migration and capital, Shanghai Biennale and Guangzhou Triennial
- Feature: Curating paths, musical chairs
- Feature: Curatorial Asia a twenty year perspective
- Feature: Curators, creators and catalysts
- Feature: Emerging, educating and unruly: Vivonne Thwaites
- Feature: Firing across the gaps
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Feature: Hello Tokyo! Flagging it

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Feature: Hello Tokyo! Ghostings

- Feature: Hello Tokyo! Good to see you again
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Feature: Hello Tokyo! Process is all

- Feature: I've looked at love from both sides now: reflections on freelance / independent / guest curating
- Feature: Manray Hsu taking a political position
- Feature: Places and contexts in two Singapore Biennales: curating courtrooms, containers and camps
- Feature: Right now I am unravelling: notes on the 2008 Next Wave Festival
- Feature: So you want to be a curator?
- Feature: Species enhancement by international gene pool
- Feature: Throwing voices
- Feature: To curate or not to curate, 2008 in Europe: urban BB5 and post-industrial Manifesta 7
- Feature: Video loops and VIP dinners: 2008 Beijing and Hong Kong Art Fairs
- Feature: What would it mean to win? a film by Zanny Begg and Oliver Ressler
- Interview: Catherine David's Transmission
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Review: 25th National and Torres Strait Islander Art Award (NATSIAA)

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Review: Errant Abstractions

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Review: Exit music: a lake and a stand of trees: George Popperwell

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Review: Fremantle Print Award 2008

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Review: It's time: Emily Floyd

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Review: Katherine Moline

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Review: Neo Goth: black in black

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Review: New social commentary 08

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Review: Ornament: Anne MacDonald

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Review: Shards: Judy Watson, Yhonnie Scarce, Nici Cumpston

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Review: Spatsville: Memoirs of a failed painter: Alasdair Macintyre

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Review: Warburtonta-latju Warntu Palyaranytja (We are doing Warntu work in Warburton)

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Review: Without Borders: Outsider Art in an antipodean context

