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Currents III

Currents III

vol 28 no 3


Where is some of the best art being made in Australia and who is making it? Our biennial CURRENTS series of in-depth essays is a mini-survey of work by eight mid-career artists who have hit their stride. Craig Walsh, Raquel Ormella, Helen Fuller, Mary Scott, George Gittoes, Farrell & Parkin, Lynette Wallworth and Deborah Kelly work in a wide range of media and out of a range of geographies. Other features are Tim Acker's insights into current challenges faced by Indigenous artists with forgeries and ripoffs still happening, and a look at the Graffiti Research Lab who visited Adelaide recently. Plus book and exhibition reviews and more. Editor Stephanie Britton.


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NAVA - National Association for the Visual Arts

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You are here » Artlink » vol 28 no 3 » Deborah Kelly's gods, monsters and probable histories

Deborah Kelly's gods, monsters and probable histories

Author: Ms Ilaria Vanni, Artist profile

Each of Deborah Kelly's projects has multiple identities and is cut to fit a certain idea. They are 'both nomadic and site-specific, traversing worlds from art institutions to supermarket shelves and creating multifarious audiences along the way'.
Her best known work 'Beware of the God' was first projected over the MCA in 2005 and was last seen at the 2008 Singapore Biennale.



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