Art Mind Beauty
vol 28 no 2
Art/Mind/Beauty tackles one of the questions exercising the minds of philosophers in the age of neuro-science - how does the mind create notions of beauty and why are some artists and audiences drawn to the fragile, the shimmering, the highly decorative and the nature-inspired? Has contemporary art been diminished by the absence of these visual pleasures? Perhaps beauty and a sense of the ineffable have crept back without our noticing. Could this be related to a fear that time is running out for the natural world? Artists who inspired this issue include Imants Tillers, Jon Cattapan, John Mawurndjul, Doreen Reid Nakamarra, Catherine Woo, Stieg Persson, David Keeling and Philip Wolfhagen (painters); Hossein & Angela Valamanesh, Giles Bettison, Kirsten Coelho, Timothy Horn, Ah Xian, Robyn Stacey, Karl Wiebke, Robin Best and Tina Gonsalves (other media). Editor Margot Osborne.
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Truth and beauty entangled
Sian Ede, featureSian Ede is Arts Director for the Uk branch of the Calouste Gulbenkian Foundation where she initiated an Arts and Science program to encourage artists to engage with new thinking and practice in science and technology. She is editor and co-author of Strange and Charmed: science and the contemporary visual arts (2000) and author of Art and Science (2005).
In this article Sian discusses the entanglement of truth and beauty by referring to John Keat's famous 1820 poem Ode on a Grecian Urn and its statement that ' Beauty is truth, truth beauty, - that is all Ye know on earth and all ye need to know.' and shows how relevant it is today in the fields of both art and science.
The full text of this article is only available in the printed version of Artlink Magazine.
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Articles in this issue
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Artrave: Artrave

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Editorial: Editorial

- Feature: Australian Beauty
- Feature: Gatecrashing the sublime
- Feature: On sunsets
- Feature: Shimmering fields
- Feature: Some digressions on ornament, abstraction and the stowaway
- Feature: The romantic spirit
- Feature: Tina Gonsalves: Unleashing emotion
- Feature: Truth and beauty entangled
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Gallery: Contemporary beauty

- Interview: Ellen Dissanyake: homo aestheticus
- Polemic: The realities of power
- Profile: Cobi Cockburn
- Profile: Karl Wiebke
- Profile: Robin Best
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Review: A new global art history: CIHA 2008 (Congress of the International Committee of the History of Art)

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Review: Annie Hogan: A Survey

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Review: Chaos and revelry: Neo-Baroque and camp aesthetics

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Review: Chris Pease

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Review: Handle me gently: Olga Cironis

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Review: Handle with care

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Review: I am a good boy

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Review: In response to conversations with a therapist as a narrative device: Martin Smith

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Review: Insights and a conversation

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Review: Letting Go: Lee Salomone

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Review: Liminal

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Review: Now that I am a man I can go to war: Angela Lynkushka

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Review: One night only project

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Review: Papunya Painting: out of the desert

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Review: The 32nd congress of the international committee of the history of art (CIHA)

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Review: The Ship of fools: recent paintings, Bill Brown

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Review book: Aesthetics and material beauty: aesthetics naturalized, Jennifer A. McMahon

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Review book: Blubberland: the dangers of happiness, Elizabeth Farrelly

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Review book: The Formalesque: a guide to modern art and its history, Bernard Smith

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Review book: Visual Animals, Edited by Ian North

