The story of senior women from the remote community of Kintore Northern Territory, who after just three years became Central Australia's most sought-after artists.
Grey Area Art Space Inc in Melbourne Victoria, started as a studio at the beginning of 1996. A group of young idealistic artists decided to set up a studio to sustain the artistic relationships that had developed at art school.
Examines the culture of art prizes, scholarships and patronage in terms of support for younger artists. Looks at the work of artists Megan Walch, Sue Saxon and Michele Beevors.
Looks at the work of Samantha Lau, Megan Jones and Josie Bri-Haines. These works take us away from the populated cityscapes to other lands, other planets and in some senses to a state of rest. Their premise is our worship of the sun, planets and stars.
Looks at two exhibitions 'Perspecta 1997: Between Art and Nature' at the Art Gallery of New South Wales curated by Victoria Lynn and 'Primavera: The Belinda Jackson Exhibition of Young Artists' curated by Rea at the Museum of Contemporary Art, in the context of assisting young and emerging artists.
Setting the scene for interpretation of emerging art practice in the north involves thinking about what it is to be in geographical isolation from the major urban centres in Australia, a combined sense of alienation and freedom. Discussesartists Gavin Condren, Tania Whitbread, Andrew Kelman, Roxanne Grant and Trisha Mason.
Expression through technology creates another art world. Art which exists uniquely in bits and bytes in virtual space. Lists various web addresses www.
Editorial for the issue 'Emerging Artists' (Vol 17 #4). The term 'emerging artist' is a red herring of a funding category in suggesting that the needs of emerging artists are so different from those of emerged artists. Like overnight sensations in film or theatre, emerging visual artists may be many years in the gestation.
Exhibiting or working in the public space provides opportunities and challenges for emerging artists not available in the gallery system. This article outlines Malone's personal understandings of the three distinct aspects of public space art activity: I Exhibiting in the Public Space, II Public Artwork and III Design of the Public Space. Public art and design contribute to making art more visible in the community and broaden the definition of art practice.