Unlock the Gates: New and Unprecedented Tools for More People

Cellular telephony began operations as a commercial concern in 1977. The Internet became public in 1993. In between there have been a lot of important innovations at the consumer end of the market: CD-ROM, DVD, mp3, GPS, SMS, etc. and a very large number of upstream, production-end changes that have transformed the way things are made, from chip cameras, NLVE, affordable 3D graphics, Max-MS and so on.

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New Media at the Venice Biennale and Documenta 12

Jasmin Stephens presents a personal recollection of this years Venice Biennale and documenta 12. As Stephens states, Venice reflected the worldwide trend of artists reappraising iconic moments from Conceptual Art from the early seventies and in so doing taking up the low-tech equipment associated with them. Artists here discussed are Aernout Milk, Willie Doherty, Paolo Canevari, Sophie Whettnall, Shaun Gladwell, Yang Zhenzhong, Emily PrinceSusan Norrie, Joshua Mosley and Tabaimo, Nedko Solakov, Mario Garcia, Felix Gmelin, Steve McQueen, Rafael Lozano-Hemmer, Ines Doujak, Lili Dujourie, Zofia Kulik, John McCracken, Harun Farocki and Artur Zmijewski.

Jasmin Stephens

Crossing Over: Digital Media at the Adelaide Film Festival 2007

The Adelaide Film Festival (AFF) is an event that has always had an eye on technological innovation and evolution and it is a tenet of AFF to celebrate screen culture in all its genres and formats. This years AFF was the host of a suite of symposiums, exhibitions, thinktanks, and screenings that spotlight the popularity and possibilities of content outside the linear feature film. This article details three of these events in particular Crossover, the Broadcast Summit and one focused on machinima. The evidence of AFFs Digital Media strategy, focusing on seminars that invite audience interaction and discussion, means that Adelaide audiences will be part of this exciting artistic and technological discussion.

Sandy Cameron

The Space of Presence: Leigh Hobba

This article examines Australian video and performance artist Leigh Hobbas recent retrospective The Space of Presence at the Tasmanian Museum and Art Gallery. The exhibition presented a precise slice of Hobbas electronic oeuvre including twelve works which highlight the materiality and texture of video as a medium. Together they convey a sense of awe, a pre-verbal ambiguity, recontextualising Hobbas recurrent and connected themes. This article also raises issues of space, infrastructure and technical facilities when considering the ways in which new media art is to be viewed.

Melinda Rackham

Daniel Crooks

Daniel Crooks is a digital media artist interested in distorting what is familiar to us and offering it back as a study in how we experience time and place. His digital manipulation of everyday materials and landscapes such as trains, trams and the passages of pedestrians across public spaces transform the work into a vibrant palette of colours and textures. Crooks is an artist who creates moving images that engage the viewer beyond and beneath the surface of the screen.

Julianne Pierce

Pippin Drysdale; Design, Craft and the Smart Syndrome

Pippin Drysdale Lines of Site By Ted Snell Fremantle Arts Centre Press 2007 174pp rrp $45 Recently published in Perth with support from Arts WA is an incisive monograph on West Australian ceramist Pippin Drysdale by Ted Snell. Snell has written a substantial book of five chapters, dividing Drysdales artistic evolution into four eras. Through in-depth engagement with particular vessels or series Snell traces her increasing mastery of the allusive and abstract power of the ceramic medium. Smart Works Design and the Handmade Edited by Grace Cochrane Powerhouse Publishing 192pp rrp $35.95 This publication is in many respects an exemplary book of an exemplary exhibition at the Powerhouse Museum and is about design that reflects the values of the handmade. With 40 individuals and groups represented across the categories of jewellery and metalwork, ceramics, glass and resin, fashion and textiles, and furniture this publication encompasses a truly diverse range of approaches from totally hand-crafted to high-tech manufacture.

Margot Osborne

Room

Room Curator: Derek Hart CAST Gallery, Hobart 26 May - 17 June 2007

Sean Kelly

Freestyle: New Australian Design

Freestyle: new Australian design for living Curator: Brian Parkes QUT Art Museum, Brisbane 1 June - 22 July 2007

Robyn Daw

New Deities

New Deities: art and the cult of celebrity Curator: Catherine Wolfhagen Devonport Regional Art Gallery, Tasmania 30 June - 29 July 2007

Briony Downes

Bridget Currie, James Dodd, Louise Haselton, Laura Wills

parkside nomadic group moves inland 4 winter : Laura Wills Project Space, Contemporary Art Centre of South Australia 1 June - 8 July 2007 Years without Magic: Louise Haselton & Bridget Currie SASA Gallery, UNISA, Adelaide 12 June - 6 July 2007 Speakeasy: James Dodd Experimental Art Foundation 13 July - 18 August 2007

Stephanie Radok

Black Box/White Cube: Cinema in the Gallery

Historically, the relation between art institutions and film has been fraught with every imaginable problem and inequality. How to truly bring cinema and art into dialogue, to create real interpenetrations and hybrid forms that move well beyond the ephemeral fireworks of yesteryears between-images? Martin proposes that the gallery needs to take its filmic pedagogy outside its lecture rooms and onto the gallery and film works need to be fully valued in themselves by curators, audiences and the entire, increasingly dominant promotional machine attached to our major galleries for their history, their value, their power and (yes) their art.

Adrian Martin

Unsettled: 10 Posters

Unsettled: 10 Posters Inkahoots RAW Space Galleries, Brisbane June 2007

Ben Eltham

The Rules of Engagement

Rules of Engagement Curator: Mark Feary West Space 25 May - 16 June 2007

Andrea Bell

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