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The Word As Art

The Word As Art

Vol 27 no 1


How is it that so many artists continue to choose text as a means of communication over visual imagery? What do words in a visual arts context contribute to the nature of art practice, and where has this tradition come from? The marriage of image and word in the contemporary urban environment is only one aspect of a subject which goes back to ancient history and forward to mobile phones. Guest editor Richard Tipping and a raft of great writers survey the subject - from public art, slogan art, language, calligraphy, installations to artists' books.


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NAVA - National Association for the Visual Arts

New Internationalist













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You are here » Artlink » Vol 27 no 1 » Gwangju Biennale, South Korea

Gwangju Biennale, South Korea

Author: Ms Stephanie Britton, feature

2006 marked the 6th Gwangju Biennale: 'Fever Variations' in South Korea. Stephanie Britton sets the scene for what she describes as having been "generous and daring, though not grand or pretentious and never (that kiss of death) magisterial." This event saw a definite shift from an international focus to look more intently at Asian preoccupations of the recent past as played out in the minds and hands of artists. Some of the simple headings at the recent Biennale were Myth and Fantasy; Nature and Body; Trace of Mind; Past in Present, as a way to initiate dialogue and illuminate the stories of how Asian artists began to work within an international context. Some of the artists showcased were Xu Bing (China), Kim Jong-ku (Korea), Miwa Yanagi (Japan) and Lee Sookyung (Korea).



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