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The Word As Art

The Word As Art

Vol 27 no 1


How is it that so many artists continue to choose text as a means of communication over visual imagery? What do words in a visual arts context contribute to the nature of art practice, and where has this tradition come from? The marriage of image and word in the contemporary urban environment is only one aspect of a subject which goes back to ancient history and forward to mobile phones. Guest editor Richard Tipping and a raft of great writers survey the subject - from public art, slogan art, language, calligraphy, installations to artists' books.


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NAVA - National Association for the Visual Arts

New Internationalist













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You are here » Artlink » Vol 27 no 1 » Emily Floyd against herself

Emily Floyd against herself

Sarah Tutton, feature

Emily Floyd is attracted to texts that focus on identity and place and that offer new ways of thinking about these issues in the light of globalisation and post-colonialism. She is interested in the malleability of language and its connection to knowledge and power. The process Floyd employs to produce her numerous large-scale wooden letters mirrors the anxiety and obsessions with the various novels they are referencing – Dostoevsky's 'Crime and Punishment', Kafka's 'The Trial' and Camus' 'The Outsider'. Sarah Tutton looks at Floyd's practice, calling particular attention to her recent installation works 'it's because I talk too much that I do nothing', Gen-existential Crisis' and 'Compulsory for young intellectuals'.



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