Daphne Williams: The Solid Core

It is the 3rd October, 2006, and Daphne and I have arranged to meet at the Araluen Centre in Alice Springs for a cup of tea and an interview. Although I arrive on time by my watch, she is already there, neatly dressed and groomed, and punctual and reliable as she always is.

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A Man's World

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Tim Walsh

Carol Rudyard: Storyboards and Solitude

English-born Carol Rudyard arrived in Perth, Western Australia, in 1950. Her initial studies at the Western Australian Institute of Technology focused on textile design and colour field and op art inspired paintings. In 1977 she began a progressive shift into slide-based installation then installation with video. Recently she has shown digital prints. Carol's reputation derives from early engagement with audiovisual technologies and her social analysis of the complicity of consumerism and the gaze at the time when theorywas often held responsible for a dissipation of critique. This article includes an edited transcript of a conversation held between Carol Rudyard and Jasmin Stephens in August 2006.

Jasmin Stephens

Arthur + Corinne Cantrill: The Film's the Thing

Arthur and Corinne Cantrill, arguably Australias most important experimental filmmakers, have been making films since 1959, when they worked on films on child art. They bought their Bolex camera in 1960, and their first experimental films followed in 1961-62. Films like Mud, Kinegraffiti, Galaxy and Nebulae, were more or less stylised or abstracts with sound-tracks inspired by musique concrete experiments. In the years that followed, they made a large number of films, published 100 issues of Cantrills Filmnotes and gave innumerable screenings of works by themselves and other experimental filmmakers. Included is an edited version of an interview conducted by Warren Burt via telephone on 2 September 2006.

Warren Burt

Pioneering Gallerists: Bruce Pollard

The spirit of Pinacotheca burst forth in 1967 with Bruce Pollards opportunistic purchase of an elaborate seafront mansion at St Kilda, Melbourne. After three years Pollard was prompted and moved into a large raw, multi-level former factory in Richmond where Pinacothecas era erupted with an exhibition of large works by Peter Booth, Mike Brown, Peter Davidson, Bill Gregory, Dale Hickey, Robert Hunter, Kevin Mortensen, Ti Parks, Robert Rooney, Rollin Schlicht and Trevor Vickers. This article goes on to briefly explore the success of Pinacotheca and the many artists who emerged and blossomed here.

Trevor Fuller

John Vella: Fume

Fume John Vella Devonport Regional Gallery, Tasmania 9 September - 8 October 2006

Jane Deeth

Donald Brook: Secret Agent

Ian North

Rewards, Awards and Living Treasures

Thelma John provides an insight towards the National Trust Living Treasures Program, which recognises outstanding Australians that have contributed to our society with invaluable knowledge and experience within different disciplines such as visual art, acting and sport. John goes on the say that the program was initially for the elderly but has recently included more youthful luminaries. Although in retaliation to this John continues to elaborate on Australia's consistent movement towards a suitable Living Treasures program that includes awards that recognise such achievements within the Australian community.

Thelma John

Alicia King: i'm growing to love you

I'm growing to love you Linden, St Kilda Centre for Contemporary Arts Victoria, Melbourne 18 August - 24 September 2006

Amy Spiers

Louise Weaver

Taking a Chance on Love: Selected Works 1990 - 2006 Louise Weaver 9 July - 27 August 2006 McClelland Gallery + Sculpture Park, Langwarrin, Victoria

Kate Just

Bernard Smith: Reluctant Icon

Generations of art students have been encouraged to read his books on the history of Australian art. He has been revered, rejected, loved and loathed by young and old. Julie Copeland of ABC Radio Nationals Sunday Morning Exhibit A has interviewed Bernard Smith many times over the years, about his books, his art criticism, his autobiography. In the lead up to his new books publication The Formalesque, and on the occasion of his 90th birthday in October 2006 she asked him to recap for Artlink readers, how the varied influences of his early life came together to produce Place, Taste and Tradition in 1945 when he was 29 years old.

Julie Copeland

Life is Getting Longer

Life Is Getting Longer Michael Bullock (Aus), Eleanor Crook (UK), Nick Devlin (Aus/UK), Jon Jones (UK), Justine Khamara (Aus), Steven Rendall (Aus/UK) Curated by Steven Rendall VCA Gallery, Melbourne 1 - 24 June 2006

Simon Gregg

Guan Wei

Unfamiliar Land Guan Wei Contemporary Art Centre of South Australia 16 June - 23 July 2006

Robin Best

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