Design Practice: Trawling the Speculative Field

This article is a response to a renewed interest by design practice into the cultural and natural environment for inspiration, and a renewed focus of design education and practice on investigations in the field. The recent installation works of two architectural practices - Lyons: City of Fiction inspired by the Museum of Contemporary Art, Sydney and Shop:Dunescape by PSI New York - are here described.

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Little Rippers: Australian Fringe Pop

Outre Gallery, Melbourne to July 15 Fluxus in Germany 1962-1994: A Long Story With Many Knots RMIT Gallery to July 15th

Juliette Peers

The 12th Biennale of Sydney 2000

AGNSW, MCA, Artspace and satellite venues 26 May - 30 July

Joanna Mendelssohn

Rosemary Laing: Gradience and Flight Research

Australian Centre for Photography 27 May - 25 June 2000 flight research Gitte Weise Gallery 25 May - 17 June 2000

Tanya Peterson

Milan Milojevic Intervention 6 - 'Index of Possibilities'

Zoology Room, Tasmanian Museum and Art Gallery, Hobart curated by David Hansen 4 June -17 July 2000

Alice White

Social Ecology

In March 2000, Stuart Hill attended the Mildura Palimpsest #3 Science and Art Symposium organised by Sunraysia TAFE and La Trobe University. One of the speakers was Stuart Hall, scientist and ecologist who, in his talk introduced the concept of social ecology, a cross-disciplinary field of which he is the inaugural professor at the University of Western Sydney, Hawkesbury Campus. Here is Hill's interview with Stephanie Radok.

Stuart Hill

Vis.Arts.Online

Kim Machan

Artrave

Artlink and Belinda Daw

Artlink and Museums, Past and Present

The issues raised by revisiting in some degree the past within Artlink touch upon a more general invocation to the authority and precedent of history in an Australian context. Some of these issues are here discussed with reference to key figures such as the Papunya Tula movement, David Kerr, Jude Adams, Drusilla Modjeska, Joan Kerr, Anne McClintock, Louise Dauth, Penny White, Zara Stanhope, Stuart Hall, Nicholas Rothwell, Paul Carter and Donald Brook.

Juliette Peers

Unsentimental Experimental: The Experimental Art Foundation 25 years on

Bilske looks at the history of EAF: Experimental Art Foundation and some of the significant events which have contributed to its success since its inception in 1974. Discusses briefly Stephanie Brittons publication A Decade at the EAF written in 1984 and the role Donald Brook has played in tackling head-on the problem of just what the experimental in Experimental Art Foundation means. Some of the artists involved with EAF include Aleks Danko, Mike Parr, Michael Craig-Martin, John Barbour, George Popperwell, Shaun Kirby, Craige Andrae, Nic Folland, Hayley Arjona, Sam Wilde, Samantha Small, Jim Moss, Chris Chapman, Sally-Ann Rowland and Michael Newall.

Maria Bilske

David Rosetzky: Custom Made

Centre for Contemporary Photography Melbourne 9 June - 1 July 2000

Larissa Hjorth

Art/Body the Liminal Experiences of Indigeneity

Art from an indigenous context cannot be transferred wholly into another context for reading. This denies the fact that indigenous contexts do have ways of seeing and making sense of their art. Mel presents a discourse for alternate ways of viewing such indigenous artwith reference to terms such as postmodern, objectivity and subjectivity. The Mogei people of Mt Hagen area in Papua New Guinea are examined through this text.

Michael A. Mel

Donald Brook's Art Theory

This text is a dedication to Donald Brooks literary contributions to Artlink magazine over the years. Different from his specifically theoretical writings on art, those featured in Artlink focus on temporal and local issues, and are often written in a wittily ironic style that leaves readers unsure whether they have understood his position.

Alan Lee

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