Susan Hiller: Being Rational about the Irrational

Visitors to the Adelaide Festival will be able to see From the Freud Museum and Wild Talents. at the Experimental Art Foundation from 26 February recent works by visiting London-based artist Susan Hiller. Cath Kenneally spoke to her in London about her history and her art.

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Fremantle 6160

Fremantle Arts Centre 18 October - 30 November 1997

Virginia Rigney

Collaboration by Satellite

Satellite link-ups between continents have upped the telecommunication ante, intensifying the exchange of ideas and impressions by participants. The sense of sight is now added to the teleconferencing capacity for hearing everyone at once, making it easier for participants who have never met to know who is speaking when, and simplifying the task of managing a given session.

Doreen Mellor

Building a picture: Interviews with Australian Artists by Gary Catalano

Published by McGraw Hill Australia 1997 RRP $36,90

Zara Stanhope

Urinating to Windward

Artists asserting a commitment against ignorance have recently called for the resignation of the Director of the National Gallery of Victoria. There seems to be no particular matter of fact about which Dr Potts stands accused: his ignorance relates somehow to an issue of principle that was flouted (as his critics assert) when he prematurely closed the exhibition in which Andres Serrano's photograph, Piss Christ, provoked some complaint, some minor violence and (as we are told) unspecified threats.

Donald Brook

Vi$copy Rules. OK?

In 1972, when I began work as curatorial assistant at the Art Gallery of New South Wales, artists in the collection had no formal written rights to their work. Each time a work was acquired by the gallery, the artist was sent a pink copyright form which they were expected to sign, even though this relinquished all their rights and assigned them to the gallery.

Joanna Mendelssohn

Sea

Curated by Romy Wall with David Hansen Tasmanian Museum and Art Gallery, Hobart Tasmania 28 November 1997 - 4 January 1998

Jennifer Spinks

The Measured Room

Di Barrett, Mark Kimber, Deborah Paauwe, Toby Richardson Contemporary Art Centre of SA 1 October - 2 November 1997

Helen Fuller

Migration and Faith: Places of Worship in a Multicultural Community

"The cosmopolitan character of the residents of Australian cities has often been shown and it is in their worship that the various nations represented in our midst receives most definite demonstration. The Greek Orthodox Church has a small but increasing community in Melbourne, numbering about 150 Greeks and 50 Syrians, and it is now decided to build immediately, at a cost of about $3,000 a new Greek Church".

Harriet Edquist

The Spiritual, the Rational and the Material: Spirit and Place Art in Australia 1861 - 1996

Since 1984 there have been five major exhibitions which sought to engage aspects of the spiritual in art and which attracted international comment. Spirit + Place, Art in Australia 1861 - 1996, which opened at the Museum of Contemporary Art in Sydney on 22nd November 1996 and closed on 5th March 1997, was the most recent of these.

Ross Mellick

David Jones' sculptures in the landscape - a spirit of place

Spirituality in western art is not necessarily ecclesiastical. There are artists who make work which is imbued with a deep spiritual connection to the land. The works may be temporary, ephemeral installations surviving only in the photographic record or they may be of more permanent substances.

Dorothy Erickson

Wrestling with Difficult Issues

The Jewish Museum of Australia is almost certainly the only religiously based institution in Australia which provides a contemporary art space. An important role of the Museum is to define an Australian Jewish identity, but in the contemporary space the Museum also helps to shape this identity. As well as celebrating our eternity in our permanent exhibitions, we help to forge our future by having contemporary shows.

Anna Epstein

Spirituality in Contemporary Australian Art: Some contexts and Issues in Interpretation

While there is a return to spiritual interests internationally in the Western world (from the counter culture of the late 1960s to the present) the 'spiritual' has been until now, relatively ignored in the interpretation of twentieth century artists work.

Jane Magon

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