Groundwork - New Work/Old Law: The Spirit of the Land in Three Communities

The embracing of new mediums like artglass and the encouragement of new artists demonstrates the contemporary nature of Aboriginal art and culture. The art reflects profound connections to place and to the past, connections that continue to be spiritually significant. Three Art Centres come together in an exhibition for the Festival of Perth to show that Aboriginal culture is a living cullture.

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Grandmother's Mob and the Stories

Julie Dowling interviewed by Lavinia S. Ryan In the past five years, after graduating from Curtin University, Julie Dowling has been painting professionally. Recently Julie took part in the artists' forum, Wijay Na? (which way now) for the Northern Territory Centre for Contemporary Art.

Lavinia S Ryan

Urinating to Windward

Artists asserting a commitment against ignorance have recently called for the resignation of the Director of the National Gallery of Victoria. There seems to be no particular matter of fact about which Dr Potts stands accused: his ignorance relates somehow to an issue of principle that was flouted (as his critics assert) when he prematurely closed the exhibition in which Andres Serrano's photograph, Piss Christ, provoked some complaint, some minor violence and (as we are told) unspecified threats.

Donald Brook

Tripping the Light: The Big Party Show

Curator: Robyn Daw Artists: Cath Barcan, Christl Berg, Barbie Kjar, Greg Leong University Gallery, Launceston Tasmania 8- 31 August 1997

Jane Deeth

Embodiment: Concerning the Ontological in Art

The exhibition The Painters of the Wagilag Sisters 1937-1997 is a historic landmark in the exhibition of Aboriginal art in Australia. A collaboration between three curators, Wally Caruana, Djon Mundine and Nigel Lendon, as well as with the contributing Yolgnu artists, landowners and custodians from Central and Eastern Arnhem Land the exhibition confirms the significant role of the National Gallery of Australia in collecting, presenting and promoting Aboriginal art.

Stephanie Radok

Swingtime, East Coast - West Coast: Works from the 1960s-1970s in The University of Western Australia Art Collection

East Coast 22 August 1997 -1 February 1998; & 10 April - 27 September 1998. West Coast 22 August 1997 - 21 June 1998. Lawrence Wilson Art Gallery The University of Western Australia, Perth.

Margaret Moore

Beyond the Bleeding Heart...

Rosemary Crumlin discusses the sacred and the secular in contemporary art, starting with the exhibition she curated at the National Gallery of Victoria

Juliette Peers

The Measured Room

Di Barrett, Mark Kimber, Deborah Paauwe, Toby Richardson Contemporary Art Centre of SA 1 October - 2 November 1997

Helen Fuller

Migration and Faith: Places of Worship in a Multicultural Community

"The cosmopolitan character of the residents of Australian cities has often been shown and it is in their worship that the various nations represented in our midst receives most definite demonstration. The Greek Orthodox Church has a small but increasing community in Melbourne, numbering about 150 Greeks and 50 Syrians, and it is now decided to build immediately, at a cost of about $3,000 a new Greek Church".

Harriet Edquist

Artrave

Artlink

Spirituality in Contemporary Australian Art: Some contexts and Issues in Interpretation

While there is a return to spiritual interests internationally in the Western world (from the counter culture of the late 1960s to the present) the 'spiritual' has been until now, relatively ignored in the interpretation of twentieth century artists work.

Jane Magon

Sea

Curated by Romy Wall with David Hansen Tasmanian Museum and Art Gallery, Hobart Tasmania 28 November 1997 - 4 January 1998

Jennifer Spinks

Vi$copy Rules. OK?

In 1972, when I began work as curatorial assistant at the Art Gallery of New South Wales, artists in the collection had no formal written rights to their work. Each time a work was acquired by the gallery, the artist was sent a pink copyright form which they were expected to sign, even though this relinquished all their rights and assigned them to the gallery.

Joanna Mendelssohn

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