E-volution of New Media
Vol 21 no 3, 2001
Guest editor Kathy Cleland With computers now regarded as just another tool for artists, digital art is becoming accepted as a medium for art. Less understood is that the internet is potentially a powerful new way of showing art.Web-based art, soundworks, and writing are all explored as well as hybrid forms using imaging tools developed for microbiology, or performance works involving machines and digital images. The blurring of art and popular culture is a recurring theme. The difference between traditional and digital drawing is explored. Reviews and obituaries.
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Digital Drawing: The Same But Different
Author: Mr Mike Leggett, featureDrawing - the use of line and tone - is at the other end of a technology timeline currently unravelling in the digital age of information. The theory and practice of drawing ranges from a tool for honing perceptual disciplines to one that permits the free-flow of the obsessive-compulsive component of our personalities. Leggett looks at the works of artists Paul Thomas, Maria Miranda, Harriet Birks, Alyssa Rothwell, Mr Snow, Peter Callas, Simon Biggs and Damien Everett and the various digital tools they employ to assist in the documenting and 'drawing out' of their individual ideas.
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Articles in this issue
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Artrave: Artrave

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Editorial: The E-volution of New Media Art

- Feature: An Ecology of OZ Mutant Media
- Feature: An End to Technophobia! Risk-Taking the way to go
- Feature: Digital Drawing: The Same But Different
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Feature: Do Art-droids Dream Of Electric Sheep?

- Feature: Electrobricollage and Popular Culture
- Feature: Inframedia Audio: Glitches and Tape Hiss
- Feature: Interfacing Art, Science and New Media
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Feature: Is Any Body Really There? Hybrid/Performance Arts

- Feature: Out of Australia: International Exposure
- Feature: Polemic: An Allergic Reaction - The eminence grise in our Art Schools
- Feature: Profile: Jon McCormack's Evolving Ethics
- Feature: Profile: Melinda Rackham's Online Installations
- Feature: Sarai: New Media Initiative in Delhi
- Feature: The A-gender of Cute Capital
- Feature: Update: Support for Australian Media Arts
- Feature: Writing on the Net: Nodes and Hypertext
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Obituary: Robert Klippel 1920-2001

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Obituary: Yorga Moorntuk/Joyce Winsley 1938-2001

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Review: A Studio in Paris

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Review: Allure: The Feminine in Print and Memoryware

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Review: Between Phenomena

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Review: Caspar Fairhall Paintings Constructions Drawings Digital Works

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Review: Creating a Place: Western Australian Women Artists 1920 - 1960

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Review: Genius of Place: The Work of Kathleen Petyarre

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Review: Hossein Valamanesh: a survey

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Review: No access, Terry Summers Head-on, Kim Demuth Full stop, Sam Sexton

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Review: Robin Best

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Review: Rosella Namok: mepla sarbie paint

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Review: Stephen Wickham/Stefan Weisz: Photographs

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Review: The Shed

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Review: Winterbodies

