Grandmother's Mob and the Stories

Julie Dowling interviewed by Lavinia S. Ryan In the past five years, after graduating from Curtin University, Julie Dowling has been painting professionally. Recently Julie took part in the artists' forum, Wijay Na? (which way now) for the Northern Territory Centre for Contemporary Art.

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Sea

Curated by Romy Wall with David Hansen Tasmanian Museum and Art Gallery, Hobart Tasmania 28 November 1997 - 4 January 1998

Jennifer Spinks

Swingtime, East Coast - West Coast: Works from the 1960s-1970s in The University of Western Australia Art Collection

East Coast 22 August 1997 -1 February 1998; & 10 April - 27 September 1998. West Coast 22 August 1997 - 21 June 1998. Lawrence Wilson Art Gallery The University of Western Australia, Perth.

Margaret Moore

The Spiritual, the Rational and the Material: Spirit and Place Art in Australia 1861 - 1996

Since 1984 there have been five major exhibitions which sought to engage aspects of the spiritual in art and which attracted international comment. Spirit + Place, Art in Australia 1861 - 1996, which opened at the Museum of Contemporary Art in Sydney on 22nd November 1996 and closed on 5th March 1997, was the most recent of these.

Ross Mellick

Tripping the Light: The Big Party Show

Curator: Robyn Daw Artists: Cath Barcan, Christl Berg, Barbie Kjar, Greg Leong University Gallery, Launceston Tasmania 8- 31 August 1997

Jane Deeth

Where Eagles Hover

Any discussion of the sacred and spiritual in Australian art must surely defer to the art of Aboriginal people for theirs is the art and culture which speaks most directly and profoundly about the connection of human spirituality to the Australian landscape.

Maurice O'Riordan

Groundwork - New Work/Old Law: The Spirit of the Land in Three Communities

The embracing of new mediums like artglass and the encouragement of new artists demonstrates the contemporary nature of Aboriginal art and culture. The art reflects profound connections to place and to the past, connections that continue to be spiritually significant. Three Art Centres come together in an exhibition for the Festival of Perth to show that Aboriginal culture is a living cullture.

Thelma John

Susan Hiller: Being Rational about the Irrational

Visitors to the Adelaide Festival will be able to see From the Freud Museum and Wild Talents. at the Experimental Art Foundation from 26 February recent works by visiting London-based artist Susan Hiller. Cath Kenneally spoke to her in London about her history and her art.

Cath Kenneally

Vi$copy Rules. OK?

In 1972, when I began work as curatorial assistant at the Art Gallery of New South Wales, artists in the collection had no formal written rights to their work. Each time a work was acquired by the gallery, the artist was sent a pink copyright form which they were expected to sign, even though this relinquished all their rights and assigned them to the gallery.

Joanna Mendelssohn

Maria Ghost: Rick Martin

Experimental Art Foundation Adelaide SA December - January 1998

Cate Jones

Art, Trash and Religion: the Serrano Affair revisited.

Who would have expected that Piss Christ would spark off a major public row in Australia, eight years after it was originally made notorious in the United States?

Jane Goodall

Artrave

Artlink

David Jones' sculptures in the landscape - a spirit of place

Spirituality in western art is not necessarily ecclesiastical. There are artists who make work which is imbued with a deep spiritual connection to the land. The works may be temporary, ephemeral installations surviving only in the photographic record or they may be of more permanent substances.

Dorothy Erickson

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