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Best Practice: Export Quality

Best Practice: Export Quality

Vol 21 no 4


What does an artist need to establish his/her name in the competitive international art world? Gordon Bennett, Fiona Hall, Fiona Foley, Rosemary Laing, Patricia Piccinini, Roslynd Piggott, Ginger Riley Munduwalawala, Imants Tillers, and William Robinson are all becoming recognised internationally while working from an Australian base, both physically and conceptually. It seems it is no longer necessary for an artist to leave Australia to become known overseas. Also, Pt I of Donald Brook's radical new 'The Undoing of Art History'; exhibition and book reviews.


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NAVA - National Association for the Visual Arts

New Internationalist













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You are here » Artlink » Vol 21 no 4 » Imants Tillers and Positive Value

Imants Tillers and Positive Value

Author & Artist: Mr Ian North, feature

Artlink asked Ian North to interview Imants Tillers for this issue, in view of North's longstanding interest in both Tiller's work and the landscape genre generally. North introduces the artist from his early recognition as a leading conceptual artist in the 1970's and pre-eminent postmodernist thereafter, working consistently according to strategies he evolved during the 1980's. This interview examines some of the key works and local concerns of Tiller's ongoing artistic practice.



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