Best Practice: Export Quality
Vol 21 no 4
What does an artist need to establish his/her name in the competitive international art world? Gordon Bennett, Fiona Hall, Fiona Foley, Rosemary Laing, Patricia Piccinini, Roslynd Piggott, Ginger Riley Munduwalawala, Imants Tillers, and William Robinson are all becoming recognised internationally while working from an Australian base, both physically and conceptually. It seems it is no longer necessary for an artist to leave Australia to become known overseas. Also, Pt I of Donald Brook's radical new 'The Undoing of Art History'; exhibition and book reviews.
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Advertisement:
Gordon Bennett's Art: The Aura of Origin
Ian McLean, featureWith a directness and clarity born from genuine insight, Gordon Bennett's art gives form to the structure of an invisible repetitive history haunting the psyches of non-Indigenous and Indigenous Australians alike. This text gives rise to Bennett's fierce artistic practice - including an examination of the works Outsider, Am I scared? and the Notes to Basquiat and Home Decor series'. These works are looked at to reveal his recent concerns with the mechanisms of doubling, moving beyond the fatal powers of representation and indeed beyond a primary concern with Australian heritage to take on the world.
The full text for this article is yet to be uploaded.
Articles in this issue
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Artrave: Artrave

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Book review: KaltjaNOW

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Editorial: Export Quality

- Feature: Fiona Foley: Knowing Where to Look
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Feature: Ginger Riley Munduwalawala: A Seeing Artist

- Feature: Gordon Bennett's Art: The Aura of Origin
- Feature: Imants Tillers and Positive Value
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Feature: Light Years: William Robinson and the Creation Story

- Feature: Polemic: The Undoing of Art History (Part I)
- Feature: Post Natural Nature: Rosemary Laing
- Feature: Rosslynd Piggott: Perfect/Sense
- Feature: Trade: Fiona Hall
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Review: 18th National Aboriginal Torres Strait Islander Art Award

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Review: Blighted Paradise: Colonial Visions of Northern Australia

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Review: Compulsion: Stewart MacFarlane

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Review: Green Line: Pip McManus

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Review: Home is where the heart is

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Review: Jeffrey Smart Drawings and Studies 1942-2001

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Review: LOUNGE - Daniel Gottin & Jurek Wybraniec

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Review: Melbourne International Festival of the Arts, Visual Arts Program

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Review: Nicholas Folland

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Review: NO MUTTERING

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Review: Paul Hoban

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Review: swallowswenson

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Review: Too Strange, Matt Calvert

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Review: Wide Open

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Review: Yokohama 2001 International Triennale of Contemporary Art, Japan

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Vis.arts.online: Vis.Arts.Online

