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Best Practice: Export Quality

Best Practice: Export Quality

Vol 21 no 4


What does an artist need to establish his/her name in the competitive international art world? Gordon Bennett, Fiona Hall, Fiona Foley, Rosemary Laing, Patricia Piccinini, Roslynd Piggott, Ginger Riley Munduwalawala, Imants Tillers, and William Robinson are all becoming recognised internationally while working from an Australian base, both physically and conceptually. It seems it is no longer necessary for an artist to leave Australia to become known overseas. Also, Pt I of Donald Brook's radical new 'The Undoing of Art History'; exhibition and book reviews.


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NAVA - National Association for the Visual Arts

New Internationalist













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You are here » Artlink » Vol 21 no 4 » Gordon Bennett's Art: The Aura of Origin

Gordon Bennett's Art: The Aura of Origin

Ian McLean, feature

With a directness and clarity born from genuine insight, Gordon Bennett's art gives form to the structure of an invisible repetitive history haunting the psyches of non-Indigenous and Indigenous Australians alike. This text gives rise to Bennett's fierce artistic practice - including an examination of the works Outsider, Am I scared? and the Notes to Basquiat and Home Decor series'. These works are looked at to reveal his recent concerns with the mechanisms of doubling, moving beyond the fatal powers of representation and indeed beyond a primary concern with Australian heritage to take on the world.



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