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Best Practice: Export Quality

Best Practice: Export Quality

Vol 21 no 4


What does an artist need to establish his/her name in the competitive international art world? Gordon Bennett, Fiona Hall, Fiona Foley, Rosemary Laing, Patricia Piccinini, Roslynd Piggott, Ginger Riley Munduwalawala, Imants Tillers, and William Robinson are all becoming recognised internationally while working from an Australian base, both physically and conceptually. It seems it is no longer necessary for an artist to leave Australia to become known overseas. Also, Pt I of Donald Brook's radical new 'The Undoing of Art History'; exhibition and book reviews.


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NAVA - National Association for the Visual Arts

New Internationalist









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You are here » Artlink » Vol 21 no 4 » Post Natural Nature: Rosemary Laing

Post Natural Nature: Rosemary Laing

Author: Mr George Alexander, feature

Brisbane born Rosemary Laing is one artist who is fully up to speed with the photographic and technological changes in supermodernity. Her work conveys better than most the strange double life we lead today: one half viscerally embodied, the other half immaterial and virtual. Like an aviation physicist Laing tries to push the envelope of what can be represented in photography. Works such as Natural Disasters(1988), Flight Research(2000) and Groundspeed are here examined.



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