Critical Mass: the new Brisbane
Vol 23 no 2, 2003
An account of how a backward sub-tropical city reinvented itself as a major centre for the arts and creative industries. Guest editor Ian Hamilton.
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Moving Beyond Pragmatism: filmmaking in Queensland
Susan Ward, featureThe local film production community in South-East Queensland has come a long way, and over the past decade it has been important for local filmmakers to lay claim to an authentic local production that has achieved commercial if not critical success in the box office. Ward looks at those feature films and documentaries (Blurred, Under The Radar, Getting Square and Feeling Sexy) which have contributed to the emerging critical mass of the local film industry and the current debate surrounding creative pragmatism within this fledgling sector.
The full text of this article is only available in the printed version of Artlink Magazine.
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Articles in this issue
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Artrave: Artrave

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Editorial: Changing Identity: Culture and the City

- Feature: 'Glocal' Government: Cross Cultural Understanding
- Feature: A History of Forgetting
- Feature: Always Remember: there is no past
- Feature: Fuelling Innovation: Starting Young
- Feature: Great White Sharks
- Feature: Hybrid Arts, Cultural Policy and Chinese Whispers
- Feature: Is Art Built-in Built-out? debating public art
- Feature: Moving Beyond Pragmatism: filmmaking in Queensland
- Feature: New Media Art in Brisbane
- Feature: Next Wave Coming
- Feature: Parallel Precincts
- Feature: Prime Two
- Feature: The Artists
- Feature: The Campfire Group
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Feature: The New Brisbane

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Review: Chris Mulhearn: Fifth Showing

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Review: Deficiency - Installation and paintings

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Review: Jo Derbyshire: The Gay Museum

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Review: Light Black: Catherine Truman, Robin Best, Sue Lorraine

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Review: Madonna Staunton

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Review: Mightier than the Sword

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Review: NEW03

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Review: Painting Tasmanian Landscape

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Review: Ruth Waller

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Review: Synergies

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Review: Ten Days on the Island

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Review: Vacant Space

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Review: Wendy Teakel: Drought and Fire

