Fuelling Innovation: Starting Young

Over the last two decades, Queensland has generated an arts and innovation culture for children and youth. Brisbanes distinguished reputation in the arts for young audiences rests on several solid foundations, most developed with support from major civic organisations, cultural institutions and successive governments. To understand how critic mass for childrens participation in the arts has been achieved, this article looks at a few of the formative events such as Play and Prime held at the Queensland Art Gallery and the popularity of artists such as Yayoi Kusama and Cai Guo Qiang amongst young audiences.

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Hybrid Arts, Cultural Policy and Chinese Whispers

Recently some of the individual, performance and new media artists who have been collaborating across borders in Brisbane and Queensland have networked their way out of the city and into Europe and Asia. With cross commissions and research and development for contemporary performance work there is a new and vibrant creative export. This article explores some of these artists and their international work and looks at how such collaborated efforts are contributing to a new examination of what culture actually is for a country steeped in its European heritage. Follows the practice of local performance artist Lisa ONeil and her collaborations with Keith Armstrong as well as examining The Bonemap Project initiated by artists Russell Milledge and Rebecca Youdell.

Zane Trow

A History of Forgetting

Anderson looks at one of Brisbanes formative cultural events, The Demolition Show, an exhibition curated by John Stafford in 1986 to mark to demise of the relatively short lived Observatory artist run space and in the fact the whole city block that surrounded it. This notion of demolition is raised in this article not only in the context of this particular event but also as a way of exploring a past which has for the most part fallen through the cracks. As Anderson states: Long after the dust has settled, the perception that Brisbane has no past in visual art, no critical mass, still lingers. Yet it is far from a new issue.

Peter Anderson

Mightier than the Sword: Arabic Script, Beauty and Meaning

Arabic Script, Beauty and Meaning Ian Potter Museum of Art University of Melbourne 22 March - 23 May 2003 A touring exhibition from the British Museum in association with the Aitajir World of Islam Trust Guest Curator, Venetia Porter

Juliette Peers

New Media Art in Brisbane

The investigation of New Media Art is especially relevant in a city that is hyped with the rhetoric about critical mass in the New Media and Creative Industries. Machan here attempts to redraw some lines of definition in what the term New Media Art actually means, as it is often seen as a doomed and short-lived handle. She does this through examining some of the key New Media artists (including Craig Walsh, Keith Armstrong, Tim Plaisted, Bonemap, Trish Adams, Di Ball, Grant Stevens, Jenny Fraser, Simone Hine, Alex Gillespie, Jay Younger, Adam Donovan, Andrew Kettle and Molly Hankwitz) and the difference between New Media and other visual arts as well as looking at government support and initiatives in the line of New Media Arts.

Kim Machan

Moving Beyond Pragmatism: filmmaking in Queensland

The local film production community in South-East Queensland has come a long way, and over the past decade it has been important for local filmmakers to lay claim to an authentic local production that has achieved commercial if not critical success in the box office. Ward looks at those feature films and documentaries (Blurred, Under The Radar, Getting Square and Feeling Sexy) which have contributed to the emerging critical mass of the local film industry and the current debate surrounding creative pragmatism within this fledgling sector.

Susan Ward

Fifth Showing

Chris Mulhearn Greenaway Art Gallery, Adelaide 5 - 30 March 2003

Wendy Walker

Next Wave Coming

A conversation between Jennifer Herd, artist, curator and convenor of the BOVACAIA program at the Queensland College of Art, Griffith University, Richard Bell, artist and activist, Gloria Beckett, an artist who is currently completing her Masters candidature at the QCA, GU, and well known artist and lecturer, Pat Hoffie. Together they discuss some of the personal and artistic struggles of the Aboriginal Murri community and the role of performative and visual arts in recognising a history largely understood.

Pat Hoffie

'Glocal' Government: Cross Cultural Understanding

David Hinchliffe has been a Councillor with Brisbane City for 15 years. He is also a photographer and exhibiting artist with 16 exhibitions to date. His background makes him a powerful supporter of Brisbanes art scene. Artlink asked him to tap into his experience and tell us how the new Brisbane came into being and where it is headed next.

Artlink

Changing Identity: Culture and the City

Ian Hamilton

Parallel Precincts

Once depressed inner-city suburbs that were havens for students, migrants, artists and fringe communities, the high profile precincts of South Brisbane/West End and Fortitude Valley/New Farm have developed into fast-growing centres of urban residential and cultural development. The Millennium Arts Program now underway will see the expenditure of over $100 million on the development of a new Gallery of Modern Art (GOMA) through the Queensland Art Gallery's Two Sites-One Visionstrategy. Heather locates the diversity of Brisbane's arts and culture scene through such new and existing precincts, establishments which mark an exciting transformation in the future of the cities art scene.

Robert Heather

Madonna Staunton

Institute of Modern Art, Brisbane 13 March - 18 April 2003

Timothy Morrell

Deficiency - Installation and paintings

Christian Flynn Soapbox Gallery, Brisbane 21 March - 4 April 2003

Pat Hoffie

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