Is Art Built-in Built-out? debating public art

In 1999 Art Built-in was declared public policy by the Queensland Government, mandating that two percent of all construction budgets over $250,000 across governments be allocated to the artworks equating to some $15m worth of arts projects annually. Recently the first in a series of formal debates took place to canvas opinion on results so far. The topic was that the role of the curator is essential to create great public art. Looks at the role of local artists such as Jay Younger and her collaborative partner, architect Michael Rayner as well as Wendy Mills and Jill Kinnear.

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Prime Two

With the redevelopment of many inner-city dwellings which in the past were alternative hot spots for the local youth, Brisbane was left with very few arts venues catering for youth-specific programs, and limited opportunities for young artists to present their work. In 2001 the Queensland Art Gallery appointed an Access and Youth Program Officer and 2003 saw Prime Two, a six-hour long celebration of youth culture for National Youth Week. The intensity of Prime Two transformed the gallery into a festive and lively venue and created an experience that was reminiscent of an adventure rather than a visit to a state institution. Featured artists include Jemima Wyman, Arryn Snowball, Anne Wallace, Brett Whiteley and James Gleeson.

Renai Stoneley

Madonna Staunton

Institute of Modern Art, Brisbane 13 March - 18 April 2003

Timothy Morrell

Drought and Fire

Paintings, drawings and installation, Wendy Teakel Stella downer Fine Art, Sydney 18 March - 17 April 2003

Martin Thomas

The Campfire Group

The Campfire Group is an independent cultural enterprise where Indigenous and cross-cultural perspectives provide the organising principles. This article talks briefly of Balance 1990, the first exhibition held by The Campfire Group, open to Murris and whitefellas alike with curatorial efforst by Michael Eather, Marlene Hall and Marshall Bell. The diversity of Campfire Group's projects over the past few years is testimony to its members ability to transform and reinvent artistic practices and introduce those practices to new audiences. Carrolli looks at the various projects, both local and international, which have contributed to the success of the transitional authorial figure that the Campfire Group has come to be.

Linda Carroli

Ten Days on the Island

Tasmania Artistic Adviser Robyn Archer 28 March - 6 April 2003

Stephanie Britton

Parallel Precincts

Once depressed inner-city suburbs that were havens for students, migrants, artists and fringe communities, the high profile precincts of South Brisbane/West End and Fortitude Valley/New Farm have developed into fast-growing centres of urban residential and cultural development. The Millennium Arts Program now underway will see the expenditure of over $100 million on the development of a new Gallery of Modern Art (GOMA) through the Queensland Art Gallery's Two Sites-One Visionstrategy. Heather locates the diversity of Brisbane's arts and culture scene through such new and existing precincts, establishments which mark an exciting transformation in the future of the cities art scene.

Robert Heather

Ruth Waller

Watters Gallery, Sydney 25 March - 26 April 2003

Joanna Mendelssohn

Painting Tasmanian Landscape

Plimsoll Gallery, Tasmanian School of Art, University of Tasmania 14 March - 6 April 2003

Philip Hutch

Synergies

A Fusion Event Drill Hall Gallery, Canberra 27 March - 27 April 2003

Lisa Byrne

Next Wave Coming

A conversation between Jennifer Herd, artist, curator and convenor of the BOVACAIA program at the Queensland College of Art, Griffith University, Richard Bell, artist and activist, Gloria Beckett, an artist who is currently completing her Masters candidature at the QCA, GU, and well known artist and lecturer, Pat Hoffie. Together they discuss some of the personal and artistic struggles of the Aboriginal Murri community and the role of performative and visual arts in recognising a history largely understood.

Pat Hoffie

Light Black: Catherine Truman, Robin Best, Sue Lorraine

JamFactory, Adelaide 1 March - 4 May 2003 Asialink tour to National Museum of Modern Art, Tokyo and Museum of Modern Art, Kyoto

Margot Osborne

New Media Art in Brisbane

The investigation of New Media Art is especially relevant in a city that is hyped with the rhetoric about critical mass in the New Media and Creative Industries. Machan here attempts to redraw some lines of definition in what the term New Media Art actually means, as it is often seen as a doomed and short-lived handle. She does this through examining some of the key New Media artists (including Craig Walsh, Keith Armstrong, Tim Plaisted, Bonemap, Trish Adams, Di Ball, Grant Stevens, Jenny Fraser, Simone Hine, Alex Gillespie, Jay Younger, Adam Donovan, Andrew Kettle and Molly Hankwitz) and the difference between New Media and other visual arts as well as looking at government support and initiatives in the line of New Media Arts.

Kim Machan

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