Critical Mass: the new Brisbane
Vol 23 no 2, 2003
An account of how a backward sub-tropical city reinvented itself as a major centre for the arts and creative industries. Guest editor Ian Hamilton.
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Great White Sharks
Artist: Mr Robert Harrison, featureHolubizky's article deals with the ever present attitude that Brisbane is a city 20 years behind the times in the cultural sector and poses the question as to what this really means? Culture has become a business only within the relative scheme of things, and 'ahead' may only be the false competitive edge and gamesmanship of regional-urban cultural ambition. Comparisons, therefore, should not be made lightly, nor benchmarks for the vitality of a cultural milieu. Discusses the works of Craig Walsh, Eugene Carchesio, Caitlin Reid and Vernon Ah Kee.
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Articles in this issue
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Artrave: Artrave

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Editorial: Changing Identity: Culture and the City

- Feature: 'Glocal' Government: Cross Cultural Understanding
- Feature: A History of Forgetting
- Feature: Always Remember: there is no past
- Feature: Fuelling Innovation: Starting Young
- Feature: Great White Sharks
- Feature: Hybrid Arts, Cultural Policy and Chinese Whispers
- Feature: Is Art Built-in Built-out? debating public art
- Feature: Moving Beyond Pragmatism: filmmaking in Queensland
- Feature: New Media Art in Brisbane
- Feature: Next Wave Coming
- Feature: Parallel Precincts
- Feature: Prime Two
- Feature: The Artists
- Feature: The Campfire Group
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Feature: The New Brisbane

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Review: Chris Mulhearn: Fifth Showing

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Review: Deficiency - Installation and paintings

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Review: Jo Derbyshire: The Gay Museum

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Review: Light Black: Catherine Truman, Robin Best, Sue Lorraine

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Review: Madonna Staunton

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Review: Mightier than the Sword

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Review: NEW03

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Review: Painting Tasmanian Landscape

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Review: Ruth Waller

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Review: Synergies

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Review: Ten Days on the Island

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Review: Vacant Space

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Review: Wendy Teakel: Drought and Fire

