Critical Mass: the new Brisbane
Vol 23 no 2, 2003
An account of how a backward sub-tropical city reinvented itself as a major centre for the arts and creative industries. Guest editor Ian Hamilton.
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A History of Forgetting
Author: Mr Peter Anderson, featureAnderson looks at one of Brisbane's formative cultural events, The Demolition Show, an exhibition curated by John Stafford in 1986 to mark to demise of the relatively short lived Observatory artist run space and in the fact the whole city block that surrounded it. This notion of demolition is raised in this article not only in the context of this particular event but also as a way of exploring a past which has for the most part fallen through the cracks. As Anderson states: Long after the dust has settled, the perception that Brisbane has no past in visual art, no critical mass, still lingers. Yet it is far from a new issue.
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Articles in this issue
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Artrave: Artrave

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Editorial: Changing Identity: Culture and the City

- Feature: 'Glocal' Government: Cross Cultural Understanding
- Feature: A History of Forgetting
- Feature: Always Remember: there is no past
- Feature: Fuelling Innovation: Starting Young
- Feature: Great White Sharks
- Feature: Hybrid Arts, Cultural Policy and Chinese Whispers
- Feature: Is Art Built-in Built-out? debating public art
- Feature: Moving Beyond Pragmatism: filmmaking in Queensland
- Feature: New Media Art in Brisbane
- Feature: Next Wave Coming
- Feature: Parallel Precincts
- Feature: Prime Two
- Feature: The Artists
- Feature: The Campfire Group
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Feature: The New Brisbane

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Review: Chris Mulhearn: Fifth Showing

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Review: Deficiency - Installation and paintings

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Review: Jo Derbyshire: The Gay Museum

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Review: Light Black: Catherine Truman, Robin Best, Sue Lorraine

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Review: Madonna Staunton

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Review: Mightier than the Sword

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Review: NEW03

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Review: Painting Tasmanian Landscape

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Review: Ruth Waller

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Review: Synergies

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Review: Ten Days on the Island

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Review: Vacant Space

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Review: Wendy Teakel: Drought and Fire

