Rich & Strange

Rich & Strange

Vol 23 no 3, 2003


An overview of key issues in Australia, cutting edge art practice and their echoes in the global arena. Juliana Engberg curates FACE UP a big show for the Hamburger Bahnhof Museum in Berlin and Isabel Carlos directs the 2004 Sydney Biennale. Comparisons between South African and Australian art are explored in Intersections from the BHP Billiton Collection in Melbourne. Major features on painters David Keeling. Dorothy Napangardi, and Colin McCahon, sculptors Hossein Valamanesh, Julie Rrap, Ron Mueck and Patricia Piccinini, and multi media with Jeffrey Shaw. Plus Indigenous photography and new thoughts on the meaning of Aboriginal art from Stephanie Radok.


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NAVA - National Association for the Visual Arts

You are here » Artlink » Vol 23 no 3, 2003 » Thinking Big: Spatial Conception in the Art of Dorothy Napangardi

Thinking Big: Spatial Conception in the Art of Dorothy Napangardi

Author: Ms Christine Nicholls, feature

The Warlpiri artist Dorothy Napangardi was born in the late 1940s or early 1950s in the bush near Mina Mina, northwest of Alice Springs at a time when colonisation meant that whites were increasingly encroaching on Walpiri land. Although Napangardi did not begin painting until much later, her childhood spent in the bush gathering the plentiful bush tucker and watching family members catch animals for food has had a critical influence on her artistic work. Because Napangardi did not live in a house in her formative years, the ability to view the landscape in its full 360 degrees enabled a different kind of 'eye' which plays out extensively in her visual scapes. It is in this sense that Nicholls looks at the spatial conceptions of the work of Napangardi.



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