Ecology: Everyone's Business
Vol 25 no 4, 2005
Art in relation to the environment and ecology engages a distinct subgroup of artists around the world. They deal with waste and obsolescence, water, air and earth, health and toxicity. Eco-warrior artists work with science, technology, farming, water resources, recycling industries, health, to make art which communicates the urgency of action on climate change. This issue includes the recent work of Gregory Pryor, Michael Harkin, Ken Yonetani, Melissa Hirsch, Liz Woods, Lloyd Godman, Ian Hamilton, Bronwyn Wright, John Dahlsen, Ann Wizer, Alice Crawford and Chris Mulhearn. The 'green architecture' sector is critiqued by eco-architects Paul Downton and Emilis Prelgauskas and there is discussion of how the art sector as a whole needs to address the environmental impact of its activities. A social ecology where artists led by Jean Bojko work with the populations of small, neglected villages in France gives another perspective on what art can be and do.
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Bowerbirds and the Art of Ian Hamilton
Leo Davis, featureIan Hamilton has approached some of the ideas surrounding sexual and asexual reproduction amongst organisms from a different perspective to those of biologists in his ongoing artistic studies. Hamilton began his work on bowerbirds when he was an Artist-in-Residence at Griffith University in 1976 during a visit to O'Reilly's national park south of Brisbane where he filmed and videotaped Satin Bowerbirds as they worked upon their bowers. He has drawn many parallels between the creative processes of Bowerbirds and artists and over the years the ongoing extinction of these birds has come to be a symbolic representation and reminder of the harsh ramifications of human activity on the natural world. Hamilton is based in Adelaide in South Australia.
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Articles in this issue
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Editorial

- Artist profile: Chris Mulhearn: Stand of Trees
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Artrave: Artrave

- Book review: Keeping the Wanjinas Fresh
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Editorial: Ecology: Everyone's Business

- Feature: A Torn Parchment: The Murray Darling Palimpsest
- Feature: Artists' Footprints
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Feature: Black Death: Species Extinction in WA

- Feature: Bowerbirds and the Art of Ian Hamilton
- Feature: Drawing on the Earth: Bronwyn Wright's 'Running Dog'
- Feature: Drought and Art: 10% and Falling
- Feature: Ecology Network
- Feature: EcoTV: A South Australian Experiment
- Feature: Finsbury Green Printing - The Story of the First Carbon Neutral Printer in Australia
- Feature: Framing The Colour of Infestation: the work of Liz Woods
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Feature: From the River to the Source: Lloyd Godman's Ecological Explorations

- Feature: John Dahlsen: Plastic Arts
- Feature: Overtaken by Glaciers: The State of Eco-Architecture
- Feature: Performance art and Plastic Bags in the Pacific
- Feature: Picturing Climate Change
- Feature: Remediation as art with Gavin Malone
- Feature: Stepping Lightly: The Art of Melissa Hirch
- Feature: Sweet Revenge: An Interview with Ken Yonetani
- Feature: TeATR'ePROUVeTe: Social Ecology in French Villages
- Feature: The Waterhouse Natural History Art Prize Under Scrutiny
- Feature: Wetland (as in Disneyland)
- Feature: XSProject: From the (Dirty) River
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Review: A Silent Walk: The Sculpture of Stephen Hart

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Review: Adam Cullen: Maintaining the Rage

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Review: Alex Spremberg: Paint-Works

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Review: Brook Andrew: Hope & Peace

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Review: David Martin: In Visible Light

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Review: Flux2: New Art from Western Australia

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Review: Mark Siebert: Out of Circulation

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Review: National Sculpture Prize and Exhibition 2005

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Review: Red Shoe Delivery Service

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Review: South Australian School of Art International Drawing Conference: Drawing is Everything

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Review: Space Between Words: A Collection of Subjective Narratives

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Review: Trudi Brinckman: White Plastic Cup

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Review: White Noise

