If art in community places isn't for the community using those places, then who is it for? Should all art in public places have immediate community appeal, or reflect those communities in some way, or even have community contributions? And if the answer to any of these is yes, need this impinge on the quality of the art?
Over the past decade there has been a significant increase in the number of public art projects directed at the improvement of the quality of public environments. Looks at two projects 'Restoring the Waters' in Fairfield (NSW) involving the artists Michaelie Crawford and Jennifer Turpin and the East Perth Greenway Project by artist Nola Farman. Both projects involve urban waterways and are to do with connecting people to place.
Although the history of the west militated against private sponsorship, it began to blossom in the 1990s. This was assisted by the State Government sponsored Percent for Art Scheme. Looks at various examples of public art in Western Australia.
Exhibition Review Contemporary Art in Asia: Traditions/Tensions Organised by the Asia Society New York
Art Gallery of Western Australia
6 February - 29 March 1998
Book review Public Art Practical Guidelines
Authors Pip Sawyer, Malcolm McGregor, Robyn Taylor
Published by the Ministry for Culture and the Arts
September 1997
$40.00 + $5.00 p&h from the
Artists Foundation of WA
The 'Art on Line' project initially conceived by Craig Walsh, involved the work of three Brisbane based artists - Wendy Mills, Keith Armstrong and Craig Walsh - who are perhaps better known as working along the experimental edge of fine art, rather than as 'community artists'.
Looks at issues of the law and public art with references to Richard Serra's 'Sculpture No.3' and Christo's 'The Umbrellas: a joing project for Japan and USA'.
The Queenslanders Art Alliance was established in 1986, maintaining an artist register as well as project management programs collaborating with the Queensland government in the 'Designing Environments' strategy which is intended to consolidate the quality of the collaborative process in public art projects. Looks at the Kangaroo Cliffs Boardwalk project.
Increasingly, local governments at the cutting edge are recognising the need to carefully define their role in public art and more broadly cultural development.
Describes the public art event for the 1998 opening ceremony of the Adelaide Festival of Arts -- Flamma, Flamma held at the Torrens River, Elder Park Adelaide SA on 27th February 1998.