Rich & Strange
Vol 23 no 3, 2003
An overview of key issues in Australia, cutting edge art practice and their echoes in the global arena. Juliana Engberg curates FACE UP a big show for the Hamburger Bahnhof Museum in Berlin and Isabel Carlos directs the 2004 Sydney Biennale. Comparisons between South African and Australian art are explored in Intersections from the BHP Billiton Collection in Melbourne. Major features on painters David Keeling. Dorothy Napangardi, and Colin McCahon, sculptors Hossein Valamanesh, Julie Rrap, Ron Mueck and Patricia Piccinini, and multi media with Jeffrey Shaw. Plus Indigenous photography and new thoughts on the meaning of Aboriginal art from Stephanie Radok.
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The Entire Life Behind Things: David Keeling's Little Epiphanies
Peter Timms, featureTimms paints a vivid picture of one of David Keeling's paintings, simultaneously posing questions surrounding how we as audiences deconstruct, interpret and therefore place values on certain images. His argument clearly lies in the appreciating of a process, a journey over the final image, especially when the image is as seemingly banal as that which typifies Keeling's practice.
Keeling's previous works tended to acknowledge the traps of both the dewy-eyed romantic and the coldly rationalist approach. With his recent shift from a surreal satirical atmosphere to the common everyday, though the subject matter may be different, the locating of meaning is still the same.
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Articles in this issue
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Artrave: Artrave

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Editorial: Rich and Strange

- Feature: A Leaf May Become a Forest
- Feature: Colin McCahon: A Question of Faith
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Feature: Impressive Risk-Taking: The Ideal City at the Valencia Biennial 2003

- Feature: Loop-Back: New Australian Art to Berlin
- Feature: Place-Urbanity: A Psycho-Ethnographic Portrait of Melbourne by Jeffrey Shaw
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Feature: Sideways Glances

- Feature: Stone Into Flesh: Julie Rrap
- Feature: The Entire Life Behind Things: David Keeling's Little Epiphanies
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Feature: The Meaning of Aboriginal Art

- Feature: Thinking Big: Spatial Conception in the Art of Dorothy Napangardi
- Feature: Warped Reflections
- Feature: Why Correggio Jones is not The Hero of the 2004 Biennale of Sydney
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Review: 4x4

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Review: B-Sides

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Review: Connected

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Review: Habitat: Callum Morton

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Review: If All We Have is Each Other, That's OK

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Review: Nocturne

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Review: Outside Tokyo (ideas about space and time)

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Review: Points of Entry

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Review: Shaun Gladwell

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Review: spECTrUm Project Space

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Review: The Rodney Gooch Collection: A Major Survey of the Art-making of the Utopia Artists from the Late 1970s to 1998

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Review: Tweak, Tweak, Let's Surf

