The Darkroom in the Age of Post-Film Photography

In both amateur and professional photography the few multinational corporations that control the industry have collectively marshalled their marketing strategies to capitalise on recent advances in digital technology. Jolly looks at the shifting photographic trends, their viability and the increasing loss of intimate image-making.

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Ian Chandler 1942 - 2004

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John Neylon

Mary Scott - Skirted

Criterion Gallery, Hobart 28 October - 23 November 2004

Felix Ratcliff

Bush TV's: Piliyi - Good One

Nyinkka Nyunyu is an art and culture centre located on Warumungu land in Tennant Creek, right in the middle of the Northern Territory. From the time the idea came up to build something alongside the sacred site of Nyinkka Nyunya, art was always going to be an integral part of the project. The result of many brainstorming sessions amongst traditional owners of the land on which Tennant Creek stands was the idea of dioramas, or Bush TVs to provide the means to present history and contemporary life through art to a diverse audience.

Alison Alder

Parallel Universe: The Gray St. Workshops @ 20

Gray Street Workshop, which is this year celebrating its twentieth anniversary, has pursued a creative work ethic closely aligned to values of the handmade, not as an end per se but as a means to evolve a creative language grounded in the interplay between ideas and practice.

Margot Osborne

Australian Drawing Now: Labouring Lightly

The on again/off again love affair between drawing and contemporary art practice seems to have been going on ad nauseam. From the sixties through to the present day, ongoing tensions between the apparent values of traditional and conceptual art have resulted in much of today's appreciation for the reworking of both aesthetics in what has become a new labour of love.

Kit Wise

The Sounds of Silence

Through traditional method, an explicit residue of manual labour, and a constructed subject, Ricky Swallows wooden work suggests a past tense, which leads the viewer backwards through the material history of the work. The Defining aspects of Swallows approach are distinctly framed in the western tradition of the artisan and the language of figuration.

Damiano Bertoli

The Return of Labour?

Kevin Murray

It's Not You, It's Me - I Just Don't, You Know, Think We're Compatible

"It should go without saying that our responses to the handmade, the mass-produced and techno gadgetry are principally structured within and by fantasy worlds. Cook explores peoples relationships to objects in a world that is perpetually developing and enhancing itself materially, or so it seems.

Robert Cook

Artrave

Artlink

I Came to Japan Because of the Chopstick

Timms' account of a personal journey through Japan and South Korea and the traditional history of fine pottery crafts that accounts for a large degree of Eastern culture. He here explores the distinctions and connections between Eastern and Western material culture as exemplified through the life and role of the chopstick.

Peter Timms

Vivienne Westwood

National Gallery of Australia, Canberra 12 November 2004 - 30 January 2005

Joanna Mendelssohn

Disorientate: Colour, Geometry and the Body

John Aslanidis, Paul Boam, John Dunkley-Smith, NeilHaddon, John Plapp, Wilma Tabacco Plimsoll Gallery, University of Tasmania, Hobart 15 October - 7 November 2004

Philip Watkins

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