Breathing/Diving/Dreaming/Dancing to the BEAP in Perth (You Can't Buy These Emotions off the Hollywood Shelf)

Immersion was part of the Perth Biennale of Electronic Art (BEAP), a selection of some of the most important international immersive, interactive and virtual reality artworks from the last decade, created by Chris Malcolm and presented at the John Curtin Gallery.

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Documenta 11 Takes On Masters of the Universe

Every five years the sleepy little German town of Kassel is invaded by the international art world. The 2002 Documenta exhibition staged here, which have traditionally played second fiddle only to the Venice Biennale, was eagerly anticipated as the first genuinely postcolonial Documenta, due in large part to the appointment of the expatriate Nigerian curator Okwui Enwezor as Artistic Director.

David McNeill

A Pavane for Another Time: Bernard Smith

Bernard Smith
Macmillan, 2002

Joanna Mendelssohn

Arid Arcadia: art of the Flinders Ranges

Curated by Alisa Bunbury Art Gallery of South Australia 30 August - 3 November 2002

Stephanie Radok

Four books on SA artists

Annette Bezor: A Passfonate Gaze
Richard Grayson 2000

James Darling: Instinct, Imagination, Physical Work
Daniel Thomas 2001

Nick Mount: Incandescence
Margot Osborne 2002
Wakefield Press/SALA

Greg Johns
John Neylon, Macmillan 2002

Ian Hamilton

Cacophony + Cramp for the Sensory Bundle

Digital media provides intuitive contemporary ways for storytelling in our times. dLux media arts, based in Sydney, this year curated a selection of installation works derived from their annual d>art program, and for the first time showed it outside Sydney. The five works selected for the Adelaide exhibition were complex and esoteric: a gorgeous array of storytelling techniques which explore and exploit narrative and interactivity.

Amanda McDonald Crowley

African Marketplace and Reporting the World: John Pilger's Great Eyewitness Photographers

African Marketplace Ivan Dougherty Gallery, Sydney 22 August - 28 September 2002 Reporting the World: John Pilger's Great Eyewitness Photographers Museum of Contemporary Art, Sydney 8 August - 6 October 2002

Tracey Clement

19th Telstra National Aboriginal and Torres Strait Islander Award

Museum & Art Gallery of the NT Darwin 10 August - 27 October 2002

Christine Nicholls

Scaling Up at ACCA

Opening in mid October 2002, the new ACCA is a purpose built complex designed by Melbourne- based architects Wood Marsh. An architectural marvel and simultaneously a contemporary art space, at last the ACCA is moving to a building that lives up to the portent of its name. Haley spoke to the new Creative Director Juliana Engberg in August of 2002.

Stephen Haley

Christina Waterson: Recent

Palace Gallery Brisbane 15 - 31 August

Angela Goddard

The Generosity of a Light Touch

For the more than 15 years that the Australian organisation Experimenta Media Arts has metamorphosed through various ideological, aesthetic and technological identities, its one constant has been a passionate involvement with and championing of the new and experimental. Prototype, exhibited in Melbourne in 2002, carried on this tradition, more than living up to the title.

Shiralee Saul

Fashion Infiltrates the Galleries

Even if one's first reaction upon hearing the sound of the words 'Melbourne Fashion Festival' is not to reach for one's gun, but to condemn the dumbing down of 'culture' into Madonna or Barbie 101, bemoan the melting of the abstract expressionist/tachiste snows of yesteryear, it has unquestionably enriched the city's art experience.

Juliette Peers

Indecorous Abstraction: Contemporary Women Painters

Curated by Margot Osborne Light Square Gallery, AIT Arts Adelaide 22 August - 19 September 2002

Michael Newall

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