Contemporary Arts of the Region: SE Asia & Australia
Vol 13 no 3&4, 1993
Articles on contemporary art from Vietnam, Thailand, Indonesia, Malaysia and Singapore commissioned by local editors. Surveys of the important movements of modern times up to nineties in each country. Tension between traditional cultural expression and internationalism. Art made in response to political conditions and for its own sake. Dawning of western appreciation of contemporary SE Asian art and the beginning of overseas market for the work. Classic snapshot of this exciting time of pioneering new ventures in SE Asia.
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Culture of Silence: A Reading of Three Malaysian Artists
Author: Mr Ray Langenbach, featureAn overview of the history of Malaysian modernism and the work of three artists who rebelled against their Islamic-style training at the Institute of Teknologi Mara. Riaz Jamil Ahmad, Ahmad Shukri Elias and Tengku Sabri. Riaz and Ahmad paint in a neo-expressionist figurative mode, Tengku makes carved wood sculptures which have echoes of old Malay motifs. After some years of dissent the three have adopted a stratgic self-imposed culture of silence.
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Articles in this issue
- Book review: Making Asian Art Accessible to Westerners
- Book review: Streams of Indonesian Art and Perceptions of Paradise
- Editorial: Contemporary Arts of the Region: South East Asia and Australia
- Feature: "Current Issues" in Singaporean Art
- Feature: A Thai-Australian Exhibition
- Feature: An Art Space in QSNCC
- Feature: An Australian Creates Space in Manila
- Feature: An Australian on the Road to Shah Alam
- Feature: Art of Social Concern
- Feature: Artists' Regional Exchange: The Next Wave
- Feature: Asialink Making Pathways for Art (Part of Australia/Asia, Striking Up Conversations)
- Feature: Australia Asia: Striking Up Conversations
- Feature: Australian Studios Hanoi (Part of Australia/Asia, Striking Up Conversations)
- Feature: Changing Attitudes to Ceramics
- Feature: Confronting Paradox
- Feature: Culture of Silence: A Reading of Three Malaysian Artists
- Feature: Curtin University Connects with Singapore
- Feature: David Castle's Journeys into Asia
- Feature: Exploring the Potential of Printmaking
- Feature: Faces of Hong Kong to Australia via Singapore
- Feature: Fauzan Omar - Layers of Meaning
- Feature: Fine Art in Ho Chi Minh City
- Feature: Friends of Hanoi
- Feature: Hanoi- Heritage in Danger
- Feature: Images of Women by Women
- Feature: Indigenous Statements Now
- Feature: Introduction to Art in Vietnam
- Feature: Introduction to Indonesian Modern Art
- Feature: Introduction to Philippines Art and Culture
- Feature: Learning About Difference
- Feature: Looking to Origins: Mastura Abdul Rahman
- Feature: Metaphor for a Delicate Balance
- Feature: Modern Art in Thailand: A Glimpse
- Feature: Modern Art in Thailand: A Glimpse
- Feature: New Models for Survival
- Feature: Pink Herrings and Tasmanian Tigers
- Feature: Posturings under the Bodhi Tree: The selling of Pseudo-Religion
- Feature: Printmaking in Vietnam: Old and New
- Feature: Refugees Confronting Memory
- Feature: Role of Galleries in Contemporary Art
- Feature: Strange Encounters
- Feature: Struggle in Baguio: The Arts Guide Makes a Difference
- Feature: Support for Art in Malaysia
- Feature: Textiles Bridging Vietnam and WA
- Feature: Thawan Duchanee: Art and Philanthropy
- Feature: The Gordon Darling Foundation
- Feature: The Power of Yogyakartan Surrealism
- Feature: The Shaping of Contemporary Art in Malaysia: New art new voices
- Feature: To be an artist
- Feature: Trailblazers Recognised at Last
- Feature: Unpredictable Repercussions
- Feature: Vietnamese Lacquer, Silk Painting and Modern Vietnamese Art
- Feature: Where to now?
- Feature: Women Achieving Against Great Odds
- Feature: Women Artists in Bali
- Feature: Women Breaking Taboos
- Feature: Woven Textiles: The Enduring Tradition
- Feature: Writing About Craft
- Review: Confess and Conceal: Asia/Australia Exhibition at AGWA
- Review: Refocusing the Gaze
- Review: Testing the Waters
