Mining the Archive
Vol 19 no 1
Guest editor Zara Stanhope. Reflects a range of recent artistic and curatorial responses to particular collections as well as considerations of the nature of archival material and knowledge in the broader sense.
- Artists and Authors
- Order this issue (from $12 inc. postage)
Subscribe to Artlink - from $52. Subscriptions available for readers anywhere in the world.
Advertisement:
Archives After the Seventies and After
Artist: Mr Tom Nicholson, featureBrown and Green are well known for their meticulously produced paintings, often involving the layering and juxtaposition of competing forms and histories. They continue to paint though photography has now assumed a major position in their practice. These photographs function as archives without narrative: scrambled mythology.
The full text of this article is only available in the printed version of Artlink Magazine.
» Subscribe or order a back issue
Articles in this issue
-
Artrave: Artrave
- Feature: A Dream of Earthly Organisation
- Feature: Archives After the Seventies and After
-
Feature: Artists and Collections: a working partnership
- Feature: Debra Phillips: List
- Feature: Elizabeth Gertsakis: Tampering with the Archive
- Feature: Fabricating Archives: Six New Zealand Artists confuse the system
- Feature: Four Shoes Many Signs
- Feature: Going Over Old Ground
- Feature: History and Memory
- Feature: Is there an Artist in the Museum?
- Feature: Market Mark-Art: Forgotten Fruit
- Feature: Parallax Error
- Feature: Photosynthesis: Two approaches
- Feature: Polemic: Object and Text
- Feature: Psychology of Retrieval: Personal and Fictional Archives
- Feature: The TMAG Commissions 1998
- Feature: Time Traveller: An Interview with Kim Donaldson
-
Feature: Wunderkammern: Actual and Virtual
-
Review: Juliet Stone Paintings and Pastels
-
Review: Recollections of Memory: Akio Makigawa
-
Review: The Fleurieu Biennale 1998
-
Review: Underbelly
-
Review: Vault: A Collaborative Installation Cluster