Art, Architecture & the Environment
Vol 11 no 4, 1991
Special issue. Art as conservation of natural and built environments, art as ecology, new alliances, eco-design, autonomous houses, ecopolis, earth building, housing co-operatives, collaborative designs, sustainable cities. Great articles and photos.
- Artists and Authors
- Order this issue (from $12 inc. postage)
Subscribe to Artlink - from $55. Subscriptions available for readers anywhere in the world.
You are here » Artlink » Vol 11 no 4, 1991 » Asunder, and Lindy Lee Painting
Asunder, and Lindy Lee Painting
Author & Artist: Ms Stephanie Radok, reviewExhibition review Time Warps Sound Installation by Ros Bandt Composing Women's Festival
Union Gallery
Adelaide South Australia
September 1991
The full text for this article is yet to be uploaded.
Subscribe to the Artlink newsletter now
Articles in this issue
- Test
- Editorial: Art, Architecture and the Environment
- Feature: 2040: A Message from the Future
- Feature: Acoustic Futures. Sound Noise and Urban Design
- Feature: Aleks Danko: Day In Day Out
- Feature: Andy Goldsworthy: Everything in the City is Nature
- Feature: Architecture and Lyndall Milani's Installations
- Feature: Artists and the Mt Leuseur Campaign
- Feature: Arts to Ashes
- Feature: Artworkers On the Urban Frontier
- Feature: Aspects of Earth Building in New Zealand
- Feature: Built Form for Well-Being, Not Just Comfort
- Feature: Collective Bargaining. Co-op Housing; an Overview
- Feature: Community Architecture: High on People Power, Low on Fossil Fuels
- Feature: Creating Livable Places
- Feature: Designing from the Inside Out: Women, Design and Architecture
- Feature: Earth-Sheltered Building using Timber
- Feature: Eco-design Conference at RMIT
- Feature: Exponential Losses, Collective Guilt: The Work of Jeannie Baker
- Feature: Frogs and Serpents: Re-colonising the Suburbs
- Feature: Further Reading and Glossary
- Feature: Gateways Project
- Feature: Getting our Shit Together
- Feature: Gilding the Lillipilli
- Feature: Hook's Mountain - The Environment as Theatre
- Feature: Let There be Light and Power
- Feature: Look See. Gnarogin Park
- Feature: Material Re-Creation
- Feature: Meadows Under the Sea
- Feature: Memories of Power
- Feature: Memories of Water
- Feature: Merz: Tapping the Energy
- Feature: Mudflats: A Fertile Breeding Ground for Artists
- Feature: Mundaring Community Park
- Feature: New Life for Gordonvale
- Feature: On Empowering Clients and Collaborative Design Processes
- Feature: Places for Souls to Play
- Feature: Prospect: Building on its Imagination
- Feature: Reading the Land
- Feature: Red Gum, Red Light
- Feature: Res B: a Design Proposal for Brisbane
- Feature: Response to the Climate in the Top End
- Feature: Restored to Life with a Bypass
- Feature: Science, Art and Mangroves
- Feature: Solar Houses: an Introduction
- Feature: Supporting Remote Places
- Feature: Sustainable Canberra
- Feature: The Art of Living
- Feature: The Art of Living Sustainably
- Feature: The Essential Gift of Ceremonies: Towards a Poetics of Scarcity
- Feature: The Re-humanising of Water
- Feature: Willmot Playspace Project
- Feature: Willunga Garden Village
- Feature: Women's Ideal Environments
- Feature: Working with Rules
- Review: Asunder, and Lindy Lee Painting
- Review: Backward Glance and A Sideways Glance
- Review: First Australian Jewellery Biennial
- Review: First Australian Jewellery Biennial
- Review: Gareth Sansom
- Review: Juan Davila
- Review: Lindy Lee Paintings
- Review: Maleness
- Review: Possessed
- Review: Review of the Year
- Review: Subject/ Object
- Review: Wildflowers in Art