Mining the Archive
Vol 19 no 1
Guest editor Zara Stanhope. Reflects a range of recent artistic and curatorial responses to particular collections as well as considerations of the nature of archival material and knowledge in the broader sense.
- Artists and Authors
- Order this issue (from $12 inc. postage)
Subscribe to Artlink - from $52. Subscriptions available for readers anywhere in the world.
Advertisement:
History and Memory
Author: Ms Philippa O+Brien, featureHistory and meaning are very much at the centre of an important exhibition in WA of Aboriginal art. Many of the artists draw on personal or family memory, while others use documentary evidence of the past. Parallel to these individual histories is the history of government policy and its impact on groups and individuals.
The full text of this article is only available in the printed version of Artlink Magazine.
» Subscribe or order a back issue
Articles in this issue
-
Artrave: Artrave

- Feature: A Dream of Earthly Organisation
- Feature: Archives After the Seventies and After
-
Feature: Artists and Collections: a working partnership

- Feature: Debra Phillips: List
- Feature: Elizabeth Gertsakis: Tampering with the Archive
- Feature: Fabricating Archives: Six New Zealand Artists confuse the system
- Feature: Four Shoes Many Signs
- Feature: Going Over Old Ground
- Feature: History and Memory
- Feature: Is there an Artist in the Museum?
- Feature: Market Mark-Art: Forgotten Fruit
- Feature: Parallax Error
- Feature: Photosynthesis: Two approaches
- Feature: Polemic: Object and Text
- Feature: Psychology of Retrieval: Personal and Fictional Archives
- Feature: The TMAG Commissions 1998
- Feature: Time Traveller: An Interview with Kim Donaldson
-
Feature: Wunderkammern: Actual and Virtual

-
Review: Juliet Stone Paintings and Pastels

-
Review: Recollections of Memory: Akio Makigawa

-
Review: The Fleurieu Biennale 1998

-
Review: Underbelly

-
Review: Vault: A Collaborative Installation Cluster

