It seems clear enough that women feel loss and the lack at the heart of the consumer society. But the creation of other riches, even in imagination, is hard to achieve....We need nevertheless to imagine other worlds, other ways - all of us- in order to sustain hope and inform desire.
The idea for a 7 day 'Reading the Land' Festival came to Wimmera River Catchment Group Chairperson, farmer, artist and environmentalist Barry Clugston during a series of salinity flights.
Mudflat arts believes that the landscape is not there to be painted so much as to be protected. The role has changed from one of passive painter to active member of the community.
..the response to a site was very much tied up with the way humans had mediated the experience. Yes trees and forests were sacred but that didn't mean that you couldn't touch them. Our mediation of course must be sensitive - be fearless yet thoughtful... Series of black and white photographs accompany the article.
The South Australian Co-operative Housing Bill allowed for the creation of a new housing authority to administer co-operative housing independently of other forms of public housing was passed in October 1991. This coincides with the Federal Government's recognition, through the National Housing Strategy, of the need to explore "innovative forms of social housing which fit between the extremes of private and public tenure."
The Mangroves Discovery Cycle was a Community Arts Project which gave a group of school children an opportunity to explore the environment. Located in Cairns, far North Queensland.
British artist Andy Goldsworthy came to Australia for three weeks in July to work on site at Mount Victor Station east of the Flinders Ranges. During the 1992 Festival of Arts photographs of the works made at Mount Victor and an installation was shown at the Artspace at the Adelaide Festival Centre, a survey of past works was on show at Yarrabee and Goldsworthy produced a permanent work for the Adelaide Botanic Gardens.