Andy Goldsworthy: Everything in the City is Nature

Art, Architecture & the Environment

Vol 11 no 4, 1991

Special issue. Art as conservation of natural and built environments, art as ecology, new alliances, eco-design, autonomous houses, ecopolis, earth building, housing co-operatives, collaborative designs, sustainable cities. Great articles and photos.

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Author & Artist: Ms Stephanie Radok, feature

British artist Andy Goldsworthy came to Australia for three weeks in July to work on site at Mount Victor Station east of the Flinders Ranges. During the 1992 Festival of Arts photographs of the works made at Mount Victor and an installation was shown at the Artspace at the Adelaide Festival Centre, a survey of past works was on show at Yarrabee and Goldsworthy produced a permanent work for the Adelaide Botanic Gardens.

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Article Index

Articles in this issue

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Editorial: Art, Architecture and the Environment
Feature: 2040: A Message from the Future
Feature: Acoustic Futures. Sound Noise and Urban Design
Feature: Aleks Danko: Day In Day Out
Feature: Andy Goldsworthy: Everything in the City is Nature
Feature: Architecture and Lyndall Milani's Installations
Feature: Artists and the Mt Leuseur Campaign
Feature: Arts to Ashes
Feature: Artworkers On the Urban Frontier
Feature: Aspects of Earth Building in New Zealand
Feature: Built Form for Well-Being, Not Just Comfort
Feature: Collective Bargaining. Co-op Housing; an Overview
Feature: Community Architecture: High on People Power, Low on Fossil Fuels
Feature: Creating Livable Places
Feature: Designing from the Inside Out: Women, Design and Architecture
Feature: Earth-Sheltered Building using Timber
Feature: Eco-design Conference at RMIT
Feature: Exponential Losses, Collective Guilt: The Work of Jeannie Baker
Feature: Frogs and Serpents: Re-colonising the Suburbs
Feature: Further Reading and Glossary
Feature: Gateways Project
Feature: Getting our Shit Together
Feature: Gilding the Lillipilli
Feature: Hook's Mountain - The Environment as Theatre
Feature: Let There be Light and Power
Feature: Look See. Gnarogin Park
Feature: Material Re-Creation
Feature: Meadows Under the Sea
Feature: Memories of Power
Feature: Memories of Water
Feature: Merz: Tapping the Energy
Feature: Mudflats: A Fertile Breeding Ground for Artists
Feature: Mundaring Community Park
Feature: New Life for Gordonvale
Feature: On Empowering Clients and Collaborative Design Processes
Feature: Places for Souls to Play
Feature: Prospect: Building on its Imagination
Feature: Reading the Land
Feature: Red Gum, Red Light
Feature: Res B: a Design Proposal for Brisbane
Feature: Response to the Climate in the Top End
Feature: Restored to Life with a Bypass
Feature: Science, Art and Mangroves
Feature: Solar Houses: an Introduction
Feature: Supporting Remote Places
Feature: Sustainable Canberra
Feature: The Art of Living
Feature: The Art of Living Sustainably
Feature: The Essential Gift of Ceremonies: Towards a Poetics of Scarcity
Feature: The Re-humanising of Water
Feature: Willmot Playspace Project
Feature: Willunga Garden Village
Feature: Women's Ideal Environments
Feature: Working with Rules
Review: Asunder, and Lindy Lee Painting
Review: Backward Glance and A Sideways Glance
Review: First Australian Jewellery Biennial
Review: First Australian Jewellery Biennial
Review: Gareth Sansom
Review: Juan Davila
Review: Lindy Lee Paintings
Review: Maleness
Review: Possessed
Review: Review of the Year
Review: Subject/ Object
Review: Wildflowers in Art