Mining the Archive
Vol 19 no 1
Guest editor Zara Stanhope. Reflects a range of recent artistic and curatorial responses to particular collections as well as considerations of the nature of archival material and knowledge in the broader sense.
- Artists and Authors
- Order this issue (from $12 inc. postage)
Subscribe to Artlink - from $52. Subscriptions available for readers anywhere in the world.
Advertisement:
The TMAG Commissions 1998
Artist: Mr David Hansen, featureHere at the end of the twentieth century, the world is having to come to terms with the socio-political, economic and environmental legacies of nineteenth century imperialism. Contemporary art participates in this post colonial discourse: issues of ancestry and inheritance, relations between indigenous and settler peoples, national and imperial mythology, mapping and borders, migration and language, ecology and exploitation - these are increasingly familiar themes.
The full text of this article is only available in the printed version of Artlink Magazine.
» Subscribe or order a back issue
Articles in this issue
-
Artrave: Artrave

- Feature: A Dream of Earthly Organisation
- Feature: Archives After the Seventies and After
-
Feature: Artists and Collections: a working partnership

- Feature: Debra Phillips: List
- Feature: Elizabeth Gertsakis: Tampering with the Archive
- Feature: Fabricating Archives: Six New Zealand Artists confuse the system
- Feature: Four Shoes Many Signs
- Feature: Going Over Old Ground
- Feature: History and Memory
- Feature: Is there an Artist in the Museum?
- Feature: Market Mark-Art: Forgotten Fruit
- Feature: Parallax Error
- Feature: Photosynthesis: Two approaches
- Feature: Polemic: Object and Text
- Feature: Psychology of Retrieval: Personal and Fictional Archives
- Feature: The TMAG Commissions 1998
- Feature: Time Traveller: An Interview with Kim Donaldson
-
Feature: Wunderkammern: Actual and Virtual

-
Review: Juliet Stone Paintings and Pastels

-
Review: Recollections of Memory: Akio Makigawa

-
Review: The Fleurieu Biennale 1998

-
Review: Underbelly

-
Review: Vault: A Collaborative Installation Cluster

