Ginger Riley Munduwalawala: Working on a Heroic Scale
Looks at the art practice of Ginger Riley Munduwalawala, born in 1937 at Ngukurr in the Northern Territory. Good colour photos of the artist and some works.
The Broome Mix is useful to bear in mind when thinking on all things multicultural - cultural diversity. In Broome that's culture - a mix of Aboriginal, Asian and European.
Fortunately the artists are capable of overturning all the newly acceptable conceits about them, and they might deny most of the assumptions that multicultural academics make about them, whilst still giving a new window on our world, as indeed, all good art from anywhere will.
A great deal of agonising has gone on since the 1988 Bicentenary about the nature of Australian identity and therefore the nature of our distinctive culture.
The tendency to pigeon hole 'ethnic' art as a second class art practised by minority groups is common in Australia too... Dihedron is a group of artists and supporters operating in Brisbane who share the common goal of helping artists in socio-cultural isolation.
"I used to boast about you, my son the painter. You painted trees, now you paint squares to humiliate me." Quote by the artist's father in the early 1970s Melbourne.
An exhibition of contemporary Aboriginal art 'Aboriginal Art and Spirituality' opened at the High Court of Australia in 1991. The exhibition to tour after its opening in Canberra.....All of the works in the exhibition speak quite overtly about the highly problematic intervention of the missions, the politics of racism and the way in which Aboriginal spirituality will always remain linked to the land.
Looks at the 'National Agenda for a Multicultural Australia' launched by the Prime Minister in 1989 which included provision for the development of a plan for collecting institutions such as museums, art museums, libraries and archives to reflect Australia's cultural diversity in their activities and practices.
Tang Qizhong is a painter and Fine Arts educator from China. He writes about his art practice and the relationship between art practices and institutions in China and Australia.