In Landscapes and Parks: Lake Districts, Yorkshire, Otterlo
Looks at three locations Grizedale Forest (UK) Yorkshire Sculpture Park (UK) Rijksmuseum Kroller-Muller of Otterlo (Netherlands) where one can experience sculpture within the landscape.
This special issue does not attempt to be a national survey of sculpture. It has focussed on various centres and given others less attention, partly to balance previous material in earlier issues of Artlink of which the following are notes by way of summary.
Examination of the role of dance masks in Papua New Guinea culture. The author was in the area to invite 2 Sulka men to Adelaide to dance hemlaut and susu masks at the Pacific Arts Symposium in April 1993. Coloured photos of the dance masks.
Review of new series of critical monographs
Edited by Christopher Allen
Ari Purhonen
Richard Goodwin
Australian Artists Series
Oliver Freeman Editions 1992
RRP $49.95
Tony Bond, artistic director of the recent Sydney Biennale suggests that since the staging of the first Biennale in 1973 sculpture and other three dimensional art have been actively promoted in Sydney.
It is a brief sober guide to certain spatial (and therefore sculptural) behaviours as initially identified and described by Bronte Edwards, Commander in Chief of the Art Army.
Exhibition Review The Advantage of Isolation
Festival of Perth Artplace
Claremont Western Australia
28 January - 6 March 1993
and at the Blaxland Gallery
Sydney New South Wales
11 February - 7 March 1993
Sculpture is not like painting because it is not flat and does not raise the question of mimesis in the same way. A theory of sculpture must therefore be, somewhere at its deep foundations, different from a theory of painting. Not just a bit different: a lot different.