Floral Tributes: The Flower

Cover of Floral Tributes: The Flower
1.25
SALA Festival: Gerry Wedd, Julia McInerney, Aldo Iacobelli
Review
Eve Sullivan

Published 11 September 2018
1.126
Brenda L. Croft: Heart-in-Hand | Amala Groom: Does She Know the Revolution is Coming?

Canberra Contemporary Art Space

Review
Virginia Rigney

Published 01 September 2018
1.3
My Monster: The Human-Animal Hybrid

RMIT Gallery

Review
Djoymi Baker

Published 21 August 2018
Axolotl
1.238
No Common Ground

Victoria University of Wellington

Review
Bruce E. Phillips

Published 31 August 2018
1.124
John Mawurndjul: I Am the Old and the New

Museum of Contemporary Art | Art Gallery of South Australia

Review
Ian McLean

Published 20 August 2018
1.128
Khaled Sabsabi: A Self Portrait

Perth Institute of Contemporary Arts

Review
John Mateer

Published 20 August 2018
Artlink Subs Promo
1.126
Imants Tillers: Journey to Nowhere

Latvian National Museum of Art

Review
Ian McLean

Published 13 August 2018
1.126
From Here to There: Australian Art and Walking

Lismore Regional Gallery

Review
Wes Hill

Published 06 August 2018

Exhibition review The Flower Curated by Paul Zika Plimsoll Gallery, Centre for the Arts Hobart Tasmania

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More from this Issue Full Issue Contents

Colonial Patterns Repeated: Robert Harrison
Review
Margaret Worth

Exhibition review Architecture without Walls Robert Harrison
University of South Australia Art Museum
10 September - 3 October 1992

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Wild: Beyond the Deconstruction
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To begin this discussion of Ross Gibson's new film 'Wild' it may be useful to trace its origins to his 1984 film 'Camera Natura'. The earlier film employed an essay mode to deconstruct the discourses around non-Aboriginal imaging of the landscape.

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A Tale of Reproduction and Dependency
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The interface between film and video education and the Independent film and video production.

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The Pure and The Impure: Shaun Kirby
Review
Ken Bolton

Exhibition review Cultic Gloss: Shaun Kirby
Contemporary Art Centre
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October 23 - November 24 1992

Published March 1993
Perplexities: Experimenta 1992
Feature
John Cumming

Over 12 days in November 1992, the Melbourne based Modern Image Makers Association (MIMA) held the third Experimenta presenting nearly 200 works of film, video, installation and performance. It included work from Germany, Japan, England and the USA, thus providing an opportunity to assess the current state of 'avant garde' practice and discourse.

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Delayed Voyage: George Popperwell
Review
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Exhibition review George Popperwell: Recent Works
Contemporary Art Centre, Adelaide, South Australia
September 25 - October 8 1992

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TV Eye: Cinema in the Age of Video
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In 1993 in Australia less than 2 per cent of the population attends the cinema yet over 90 percent of households own a VCR....

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Aleksi Vellis
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Aleksi Vellis announced his arrival in the turmoil of early 90s Australian cinema with his debut feature 'Nirvana Street Murder' a restlessly energetic film with cavalier camera moves that are almost as swish as the director himself.

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One Way Street
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John Hughes independent documentary film on Walter Benjamin One Way Street was screened on ABC television in December 1992, the centenary year of Benjamin's birth. The film has been released to festival audiences in the US and Europe and will theatrical release in Sydney and Melbourne in 1993. Here John Hughe slips into pause and explores an opening on certain scenes.

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"I Am Like You, I Am Different" - Beyond Ethnicity, Becoming Asian-Australian
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Beyond ethnicity, becoming Asian - Australian. How does one address issues of ethnicity? What is authenticity?

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Wizards of Oz: Into the 90s - Between Documentary and Fiction
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In the incredible shrinking space between 1984 and 2001 the distinction between social-issue documentary and surreal fiction is collapsing - almost as fast as Australian capitalism or Soviet communism.

Published March 1993
The Last Days of Chez Nous: Love Stories and Girls' Blouses
Feature
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In his discussion of male sexuality, it was Freud who asserted that men customarily distribute their libido with expedience. What psychical energies a man 'employs for cultural aims he to a great extent withdraws from women and sexual life'. But not so in the love story, a genre which disavows this predicament.

Published March 1993
 
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